This series consists of records relating to Judith Marcuse's involvement with Simon Fraser University and the International Centre of Art for Social Change, from inception until when the records were donated. The series is divided into four sub-series: Sub-series 1: Administrative records (1996-2019); Sub-series 2: Financial records (2007-2010); Sub-series 3: Grants/fundraising records (2008-2012) and Sub-series 4: Promotional records: ([2006?]-2009).

Series consists of records generated from editorial work on chapbooks and issues of "filling Station" magazine. These include page proofs, edited submissions, commissioned artwork, writer’s guidelines, and production instructions.

Series is comprised of VHS recordings of episodes of "Readers & Writers," an interview-based literary television program produced by Open Learning Agency's Knowledge Network.

Series consists of records relating to archaeological tourist expeditions, boat cruises and exploratory expeditions of shipwrecks, for which James Delgado served as a lecturer or expedition leader. Records include correspondence, brochures, reports, pamphlets, travel itineraries, and expedition reports.

This series contains 18 cassettes representing 10 interviews compiled by Robert Rothon and Myron Plett for the “Tides of Men” oral history project.

Series consists of the archive copies of books published by Mother Tongue Press.

The series documents the activities of community activism groups associated with Betty Krawczyk. Series consists of mission statements, flyers, a paper flag, song lyrics, correspondence, pamphlets, booklets, newspaper clippings, journals, three calendars, speeches, handwritten notes, a membership list, and envelopes for Women in the Woods, the Canadian Party of Women, and other community activism groups Krawczyk was involved with during the mid-1990s to 2007. Series also contains textile records, including a Prison Justice Day t-shirt, flags, hats, a tote bag, and an aboriginal bead blanket. A large portion of the series relates to the activities of Women in the Woods and Betty’s political movements.

This series consists primarily of business records, particularly fundraising activities, and promotional materials associated with the conception, development and execution of the ICE Project, which consisted of workshops and touring performances.

The series is comprised of the following sub-series: Sub-series 1: Administrative records (1994-2001); Sub-series 2: Financial records (1997-2002); Sub-series 3: Grants/fundraising records (1995-2001); Sub-series 4: Production/performance records (1995-2002): Sub-series 5: Promotional records (1996-2006).

Series consists of Beaulieu’s resume, work assessments and tax returns filed by Derek Beaulieu from 1994 to 2007.

Series consists mainly of textual material pertaining to Duke's involvement with the Friends of Canadian Broadcasting. This series includes business correspondence and personal information regarding Duke's role within the organization.

Series consists of notebooks containing drafts and notes, unbound drafts, and one copy edited by Algonquin Books of Chapel Hill for the novel Tamarind Mem. It also includes articles, interviews and reviews from Canadian and international newspapers.

Series consists of records relating to the physical production of books and broadsides. Activities documented include book design, proof-reading, and printing. Records include correspondence, contracts and agreements, mock-ups, photographs, negatives, and purchase orders.

Series consists of page proofs for works Peter Culley edits and materials about art exhibits Peter Culley curated.

Series consists of emailed and hand-written correspondence between Derek Beaulieu and his personal and professional contacts. Also includes related records, including signed contracts, employment agreements, grant applications, award submissions and letters of recommendation, postcards, clippings, ephemera and photographs.

The series documents Lissel as a handmade paper artist, which includes various handmade papers that he has experimented on. He did experiments on different materials, such as cotton, flax, and linen—most of which are defined on the individual paper. Paper samples include kozo and gampi and other samples. The series is arranged in chronological order.

Series consists of records relating to film adaptations of Peter Trower’s novels "Grogan’s Cafe" and "Dead Man’s Ticket," as well as those relating to his acting role (as himself) in "The Diary of Evelyn Lau." Records include screenplays, correspondence, option agreements, and shooting schedule.

Series has been arranged into the following three sub-series according to film: Grogan’s cafe film records (1994-2005), Dead man’s ticket film records ([ca. 2000]) and The diary of Evelyn Lau film records (1993).

Series consists of records generated by the marketing department of Duthie Books’ head office. Key staff members were Marketing Managers Scott Baldwin and Leanne Nash. Records document the organization of events, annual sales, the customer loyalty program, co-operative promotions, signage, and advertising. Series is divided into the following three sub-series: Events files (1997-1999); Marketing and promotions files (1993-1999) and Advertising files (1997-1999).

Series consists of records documenting the financial management of the filling Station Publications Society and "filling Station" magazine. Record types include bank statements, invoices, ledgers, tax returns, and distribution payment records.

Series consists of records generated from the operation of Duthie’s online bookstore, launched in Spring 1994. Duthie Books’ virtual bookstore was a browsable database containing 50,000 titles in 150 subject areas indexed by author, title, subject and ISBN. The bookstore was located at literascape.com.

This series consists of professional correspondence related to Eden Robinson's writing career, as well as newspaper clippings and photocopies of reviews of her work.

Series consists of exhibit panels with stamps, postcards and didactic information written by Henshaw, exhibit planning records, and awards received for exhibitions created and displayed at various locations across North America, including the Vancouver Public Library and conferences Henshaw attended as a member of the BC Philatelic Society.

Series consists of records generated from the administration of the filling Station Publications Society and the publication of "filling Station" magazine. These include minutes, correspondence, notes, grant and award applications, submissions, forms, subscriber lists, contact lists and distribution requests. Series is divided into the following four sub-series: Minutes (1993–1997); General administrative records ([199-]–1999]); Correspondence (1993–1999); and Grant applications (1995–2008).

Series consists of publicity clippings and promotional items documenting literary events hosted by the filling Station Publications Society. These include calls for submissions, contest advertisements, published articles and reviews, recordings of readings, photographs, flyers, and posters.

Series is comprised of project files and technical and architectural drawings relating to the construction and design of store locations.

Series consists of correspondence addressed to Blair Henshaw; some envelopes have AIDS-themed stamps, cinderellas (not issued for postal services by a postal jurisdiction) or slogans.

Series consists of records documenting the marketing efforts of members of the filling Station Publications Society. These include requests for review copies, notes, submissions to the Western Magazine Awards, a National Magazine Award Honourable Mention, and promotional material advertising the magazine.

Series consists of chapbooks published by the filling Station Publications Society from 1993–2006.

Series consists of incoming and outgoing correspondence of a personal and business nature between Rimmer and various members of the printing community, including Paul Duensing, Jules Remedios Faye, Richard L. Hopkins, Richard Kegler, Robert R. Reid, William Rueter, Andrew Steeves, Christopher Stern and Alan C. Waring. Correspondence includes technical advice and comments on recent work. Records also include contact information, thank you letters and prints, as well as correspondence related to various organizations, including the American Typecasting Fellowship, Typochondriacs and the Alcuin Society.

This series consists primarily of business records, particularly organizational activities, and promotional materials associated with the conception, development and execution of the Kiss Project, which consisted of a series of collaborative performances across several years.

The series is comprised of the following sub-series: Sub-series 1: Administrative records (1992-2001); Sub-series 2: Financial records (1995-2000); Sub-series 3: Grants/fundraising records (1993-2001); Sub-series 4: Production/performance records ([ca. 1993]-[before 2001?]): Sub-series 5: Promotional records (1994-2003).

Series consists of correspondence and other records pertaining to the career, projects and interests of Anita Rau Badami. Records include her thesis and videocassettes with her interviews. Series also contains invitations to the Vancouver International Writers and Readers Festival and Adelaide Festivals