- F-299-1-0-0-0-29
- File
- [ca. 196-]
Part of Arthur Erickson fonds
Item is a home movie created by Arthur Erickson depicting his travels in Greece.
Part of Arthur Erickson fonds
Item is a home movie created by Arthur Erickson depicting his travels in Greece.
Part of Arthur Erickson fonds
Item is a home movie created by Arthur Erickson depicting his travels in Tanzania.
Part of Arthur Erickson fonds
Item is a home movie created by Arthur Erickson depicting his travels in Tanzania.
Part of Arthur Erickson fonds
Item is a home movie created by Arthur Erickson depicting his travels in Greece.
Part of Arthur Erickson fonds
Item is a home movie created by Arthur Erickson depicting his travels in the Hunza Valley.
Part of Arthur Erickson fonds
Item is a home movie created by Arthur Erickson depicting his travels in India and Nepal.
Part of Arthur Erickson fonds
Item is a home movie created by Arthur Erickson depicting his travels in Pakistan.
Archival footage, P. Dobud - 8mm
Part of Arthur Erickson fonds
Item is a home movie created by Arthur Erickson depicting his travels in Cambodia.
Part of Arthur Erickson fonds
Item is a home movie created by Arthur Erickson depicting his travels in Cambodia.
Part of Arthur Erickson fonds
Item is a home movie created by Arthur Erickson depicting his travels in Japan. Footage shows the Katsura Imperial Villa.
Part of Arthur Erickson fonds
Item is a home movie created by Arthur Erickson depicting his travels in Cambodia.
Part of Arthur Erickson fonds
Item is a home movie created by Arthur Erickson depicting his travels in Japan. Footage shows the Katsura Imperial Villa.
Part of Arthur Erickson fonds
Item is a home movie created by Arthur Erickson depicting his travels in Japan. Footage shows the Katsura Imperial Villa.
Part of Arthur Erickson fonds
Item is a home movie created by Arthur Erickson depicting his travels in Indonesia.
Home movie of Erickson family visit at Osler Avenue home
Part of Arthur Erickson fonds
Item is a home movie depicting Erickson family members playing ping pong, interacting with family pets, posing on a bench, and spending time together on the family property that once stood at 4890 Osler Avenue, Vancouver, B.C.
Arthur Erickson is featured in this home movie as the teenage son seen playing with the family dog and posing with the family on the bench.
Raw footage of SFU Burnaby campus with some unscripted commentary shot on 20 October 1987 by Frank Campbell of SFU's Instructional Media Centre. Opens with scenes of people walking on campus. A plane is heard flying overhead. The camera turns towards a view over the city of Vancouver and then pans back out. A student is seen walking across the field next to the theatre. In the next shot, voices and footsteps can be heard. Students are shown studying outside in the sunshine. In the next scene, a gentleman speaks briefly to the camera. The footage ends zoomed in on a student reading a book.
Part of Office of the Registrar fonds
Bees and Beekeeping - Introduction to Bees
Part of Mark Winston fonds
Bees and Beekeeping - Behaviour
Part of Mark Winston fonds
Disjointed series of shots taken at SFU. Each section is only a few frames and focuses on the buildings, students and scientific experiments and equipment. Opening shows backhoe removing partly burned trees (presumably clearing for campus). Next shot is of AQ and red mosaic mural in background, and "swamp" in foreground where reflecting pond is now located.
Item is a videotape copy of a documentary about Doris and Jack Shadbolt directed and produced by Christine Hearn and SFU's Instructional Media Centre in 1998.
Raw footage showing helicopter landing in open field on SFU Burnaby campus. Remainder of the footage shot from the helicopter flying over and circling the Burnaby campus. Ends with shots of downtown Vancouver from over the open water.
From C to C: Chinese Canadian Stories of Migration [HD]
Part of Office of the Registrar fonds
Downtown shots for opening SFU - Harbour Centre
This is Simon Fraser University
Item is a film featuring the sights and sounds of all aspects of attending SFU in early 1970s, from the bus ride to registration to lectures, lunch, and leisure. Current research, issues of the day and the various departments are presented through original lecture audio. Impressions of SFU by students and staff are revealed in interview-style discussion, coupled with thoughtfully shot footage. Interspersed are artistically shot scenes of a sunny campus with a gentle guitar strum. Unlike more contemporary moving image profiles created by SFU, it is not narrated with a script nor overtly promotional.