Fonds consists of records arising from the academic and professional life of Paul Delany. Activities and topics include course planning, academic articles and reviews, research and drafts for his books, academic conference attendance, refereed and non-refereed articles, book reviews. Fonds also consists of records arising out of his university committee work, work with graduate students, departmental planning, grant writing and applications. Finally, there are some records relating to non-SFU organizations.

The fonds consists of articles, research, manuscripts, course syllabi, notes, minutes, correspondence, grant applications, conference papers and proceedings.

The fonds is arranged in 5 series:

1. Articles and reviews
2. DH Lawrence's Nightmare
3. The Neo-pagans
4. Academic and administration
5. NDP policy subcommittee on advanced education

The fonds consists of materials related to Culley's writing, curatorial and editorial work, and includes notebooks, manuscripts, reference materials, proofs, correspondence, ephemera, photographs, and negatives. The fonds also includes a diary, manuscripts by others, magazines, and Vancouver International Film Festival programs.
The fonds has been arranged by the archivist into 9 series:
Writing (Series 1)
Works by others (Series 2)
Correspondence (Series 3)
Personal (Series 4)
Editorial and curatorial (Series 5)
Reference material (Series 6)
Ephemera (Series 7)
Photographs (Series 8)
Biographical information (Series 9)

Fonds consists of 22 linocut blocks created by Bev Leech in 1961, as a senior thesis project at the Vancouver School of Art (now Emily Carr University of Art and Design) to produce the book, A Glossary of Typographical Terms by Simon Oliver.

The fonds consists of correspondence, manuscripts and typescripts of Coyote Books, Coyote's Journal and the earlier Northwest Review, along with galley proofs, layout sheets, reports, and other material. Correspondence, much of it to editor Edward Van Aelstyn, includes letters from Robert Creeley, Ed Dorn, Michael McClure, Gary Snyder, Jonathan Williams, Ron Loewinsohn, Clayton Eshleman and Philip Whalen.

The fonds consists of records created or accumulated by Flood through her activities as a writer. Records include notes, drafts, correspondence with publishers, contracts, promotional materials, reviews, royalty statements, notebooks, handwritten manuscripts and copies of published journals in which Flood’s works are printed.

The fonds has been arranged into the following three series: Short stories (1961-2008); Novels (1974-2004); and Essays, talks and reviews (1972-2006).

The fonds consists of essays on the poetics of Charles Olson and Kearns' own "stacked verse", manuscripts of early poems, and correspondence with editors of various little magazines. Correspondents include George Bowering.

Fonds consists of 22 sketchbooks (featuring watercolours, pen and ink drawings, pastel and charcoal sketches, travel diary entries) measuring approximately 8 x 10" to 10.5 x 14". These sketchbooks document Rose Malerby's travels to Prince Rupert via ferry and from there to the Yukon with friends in a Volkswagon bus. Malerby captured landscapes, townscapes, harbour scenes, flora, people, architecture and artifacts, and noted weather conditions, gas costs, where they stopped to eat and places they stayed along the way.

The fonds consists of letters sent to British poet Tom Raworth, a manuscript of Dorn's book "Gloucester Out" and other material.

The fonds consists primarily of Acorn's finished poems and pages of preliminary drafts. Fonds includes some correspondence (1964) and prose manuscripts.

The fonds consists of records arising from Dunham's teaching and research activities. Includes lecture and research notes, course outlines, exams and study questions, reading lists, reprints, essays and other writing by Dunham, and a few pieces of correspondence regarding Dunham's career and projects.

The fonds consists of manuscripts by contributors to nos. 1-7 of the Resuscitator magazine, with accompanying correspondence. Includes 320 items (approx.) holographs, typescripts, 3 photographs, and 1 linoblock.

The fonds consists of production records, correspondence, manuscripts and typescripts, proofs and galleys, promotional material, reference files, and business records, including financial statements, transaction records, royalty statements, and inventory records. Fonds includes records of the little magazine "Talon". Correspondence and manuscripts include contributions from Margaret Avison, Margaret Atwood, Victor Coleman, Bill Bissett, George Bowering, Jim Brown, Frank Davey, Gary Geddes, Barry McKinnon, bp Nichol, Michael Ondaatje, David Phillips, James Reaney, David Robinson, George Ryga, Audrey Thomas, Phyllis Webb, Michel Tremblay, Fred Wah, David French, Robin Blaser, David Arnason, Brian Fawcett and many others.

The fonds consists of correspondence; news clippings, photographs, inscribed copy of Choy's novel The Jade Peony.

Fonds consists of records relating to Braid's life and work as a student, teacher, carpenter, and writer.

The first five series from Braid's first donation in 1995 are comprised primarily of interview material relating to Canadian women in trades, in the form of sound recordings, transcripts, notes, and drafts of profiles generated by Kate Braid in the course of four projects: her Master's thesis (1978-1979); a convention in Holland and subsequent trip to Denmark (1984); the Labour Canada booklets (1988); and the CBC Ideas program (1990). Also includes some correspondence, logbooks and published reference material.

The next series from several additional accruals in 2009 to 2013 consist of records arising from many aspects of Braid's life. These records include drafts and notes from Braid's writing, projects for CBC Ideas, women in trades, her company, Sisters Construction, and other writing and teaching projects.

There is also a large series of correspondence, including letters and emails (printed out) between Braid and other writers, her family, and business correspondents. Finally, there is a series of Braid's diaries, which she has kept regularly from the 1960s to 2012.

The fonds is arranged in 24 series:

1. Master's thesis interviews
2. Europe interviews
3. Labour Canada interviews
4. CBC interviews
5. Women in trade
6. In Fine Form: the Canadian Book of Form Poetry
7. Red Bait: Struggles of a Mine Local
8. A Well-mannered Storm: the Glenn Gould Poems
9. Emily Carr: Rebel Artist
10. Inward to the Bones: Georgia Okeeffe's Journey with Emily Carr
11. Vancouver Island Highway Project Road to Equity
12. CBC Ideas: Men of the Deep
13. Appointment calendars
14. Correspondence
15. Personal and early accomplishments
16. Writing and teaching projects
17. Turning Left to the Ladies
18. Journeywoman
19. Diaries
20. First drafts and handwritten notes
21. Sisters construction
22. Publications
23. Covering Rough Ground
24. To this Cedar Fountain

The fonds consists of correspondence and creative work (poetry mainly) submitted to the magazine to be considered for publication.

The fonds consists of a typescript copy of the poem "Chant for Half the World".

The fonds consists of correspondence (letters from Wieners to John Marlow).

Fonds consists of records relating to Birnie's trip to China in the 60s and her career as a journalist, including correspondence, telegrams, photographs, newspaper clippings, magazines, photocopied news articles, scrapbooks, and awards.

The fonds consists of records relating to activities of the School and its predecessors. Activities and events documented include the evolution of the department's structure, functions and governance; management of the School's budget and financial resources; management of School facilities; deliberations of School committees; correspondence of the Director with staff, faculty, other university departments and external organizations; curriculum development and course instruction; public-events programming; management of faculty and student relations; media relations, publicity and communications; and the organization of conferences and other special events.

Records include correspondence and reports; budgets and financial working papers; meeting agendas, minutes and supporting papers; course outlines and related material; media releases, event programs, flyers and booklets; audio and audio-visual recordings, films, photographs, posters and other graphic material; and departmental publications, including annual reports (1965-1976), course guides, newsletters and brochures.

The fonds consists of incoming correspondence, five manuscript poems and other material.

The fonds consists of manuscripts, typescripts, and proofs of Io (1-24) and the affiliated publishing house, North Atlantic Books. Correspondence with editors Richard Grossinger and Lindy Hough include that from Clayton Eshleman, Theodore Enslin, Robert Kelly, and David Wilk. Fonds also includes some financial records.

The fonds consists of records made or received by the Art Gallery in the process of carrying out is functions. Activities and events documented include the evolution of the Gallery's structure, functions and governance; management of the Gallery's budget; deliberations of advisory committees; correspondence of the director with other university departments and the community; and the production of numerous art exhibitions. Records include correspondence, reports, agendas, minutes, budget summaries, exhibition programs and flyers, lists and forms relating to exhibitions, news clippings, and other documents.

The fonds consists of statement of opposition to the war signed by numerous American poets.

The fonds consists of correspondence (with manuscript and typescript enclosures) from Anne Waldman to Lewis Warsh, much of it pertaining to the relationship between the two poets, as well as to relationships with other poets. Their involvement in the Naropa Institute is also described. Most of the letters from 1969 to 1973 concern the publishing of Angel Hair Books and contain much information about the New York poetry world centred at the Poetry Project.

The fonds consists of manuscripts and typescripts, galley and paste-ups, correspondence to editors (in particular, Frank Davey), unpublished and rejected manuscripts and printed copies of issues of "Open Letter". Correspondence and manuscripts include contributions from George Bowering, bp Nichol, Daphne Marlatt, Margaret Atwood, Gerry Gilbert, Dave McFadden, Fred Wah, Warren Tallman, Victor Coleman and others.

The fonds consists of manuscript, galley proofs and published version of Persky's book of poetry, Lives of the French Symbolist Poets (1967).

The fonds consists of correspondence, typescripts, submissions, subscription and business records, and other material.

The fonds consists of manuscripts, layout sheets, notes and miscellaneous records relating to the printing of Pacific Nation.