The fonds consists of correspondence - three letters from Niedecker (two to Cid Corman, one to Mark Wilson).

Fonds consists of records relating to the landmark legal battle between Little Sisters Book & Art Emporium and the Government of Canada over customs' censorship and seizure of gay & lesbian books and magazines intended for sale in the bookstore.

The collection consists of items related to Robertson's writing, editing, and teaching activities, and includes correspondence, manuscripts, photographs, notebooks, teaching materials, clippings, video and audio tapes, ephemera, and a range of publications, some of which Robertson worked on as an editor, and others to which she contributed her own work. The collection also includes manuscripts produced by several of Robertson's friends and colleagues and original artwork used for covers and interior graphics of various publications.

Fonds consists of records relating to Birnie's trip to China in the 60s and her career as a journalist, including correspondence, telegrams, photographs, newspaper clippings, magazines, photocopied news articles, scrapbooks, and awards.

The fonds consists of essays on the poetics of Charles Olson and Kearns' own "stacked verse", manuscripts of early poems, and correspondence with editors of various little magazines. Correspondents include George Bowering.

The fonds consists of correspondence, manuscripts, proofs; business and subscription records, and other material.

Fonds consists of Gill's personal and professional correspondence, photographs, university notes and assignments, theses, drafts of poems and other writing, published works, and work records.

Fonds consists of records created and accumulated by the Kiss and Tell collective over the course of the collective’s operations. Records include photographs, correspondence, exhibition specifications and guidelines, and promotional and press materials.

Fonds consists of records accumulated by Kevin Roberts during his work as a writer and a teacher. They include teaching notes, manuscripts, drafts, and correspondence.

Fonds consists of posters, handbills, zines, newspapers, comics, original artwork, scripts, promotional material and audiovisual records related to the Vancouver political art and punk scenes in the 1980s and 1990s.

Fonds consists of the literary papers of author Keith Harrison. Records include research materials, correspondence, manuscripts, reviews, working notes, and contracts.

Fonds consists of records relating to the writing and publication of novels written by June Skinner under the pen names of Rohan O'Grady, and A. Carleon. These include original manuscripts, notes on works in progress, memorabilia, promotional material, rejection letters, grant applications, photographs, scrapbooks, and correspondence.

The fonds has been arranged into the following series: Manuscripts (1936-[1992?]); Contracts (1960-1998); Correspondence ([1949?]-2000); Research (1965-[197-?]); Promotional material and reviews (1961-1974); Personal (1947-[196-?]); and Finance (1941-1992).

This fonds consists of primarily of correspondence between members of the Woodsworth/MacInnis families, along with photographic material documenting extended family and some key events. James Shaver Woodsworth (J.S.) was a leader of the social democratic movement in the early 20th century and a co-founder of the Co-operative Commonwealth Federation (CCF) party in 1932, of which his daughter and son-in-law were also key figures. However the subject matter of most of this fonds is of a personal familial nature, rather than in-depth political discourse or strategizing. Included in this fonds are notes, manuscripts and letters, primarily written between himself and his wife, Lucy Staples Woodsworth during the years he was serving first as a clergyman through to his involvement and arrest at the Winnipeg General Strike in 1919, as well as an extended tour of Europe and Russia with Lucy in 1932. There are a few letters between J.S. and his children as they mature and pursue careers but even when J.S. ceases to be the primary author, there is news of him in the correspondence of Lucy up until his passing in 1942.

The bulk of content in this fonds consists of correspondence between Lucy Woodsworth and her daughter Grace Woodsworth MacInnis, although there are occasional letters to, from or between her other children Belva, Ralph, Charles, Bruce and Howard. The content of this material is primarily anecdotal as Lucy informs Grace of her day-to-day activities and meetings. There is some mention of her political activities and leanings - particularly of her attendance at a Women's International League conference in 1924 or in correspondence with Grace's husband, Angus MacInnis - but most letters contain news of friends and family, of health and daily activities.

Because many of these letters were originally assembled by Grace MacInnis herself, there is a subsection of correspondence between herself and Angus, from the very first days of their courtship through their combined political careers in Parliament and up until Angus's passing in 1964.

The fonds consists of correspondence (letters from Wieners to John Marlow).

The fonds consists of correspondence and manuscripts including the corrected manuscript of an unpublished novel "The Black Nightingale" two published novels, a group of short stories and a radio play.

Fonds consists of photographs, diaries and journals documenting Koerner's artworks and travels to Japan, and one drawing.

The fonds consists of records relating primarily to Innes’ drawing, painting, and writing. Records include original cartoons, publications containing Innes’ work, a chapbook, exhibit programs and reviews, and images of Innes’ paintings, as well as photographs of Innes, biographical material, and a patent agreement.

The fonds has been arranged into six series: Records relating to Innes’ paintings ([190-?]-1943); Illustrations and cartoons ([between 1880 and 1941]); Publications (1900-[ca. 1934]); Photographs of Innes ([192-?-193-?]); Patent (1 Feb. 1919); and Records relating to Innes created after his death ([1941]-1945).

The fonds consists of twenty-three sheets of holograph poems and seventy-five sheets of printed poems.

Fonds consists of correspondence, magazines, manuscripts, financial records, event posters, notebooks, and artwork relating to Jeff Derksen's work as a poet and founder of the Kootenay School of Writing, in particular, the publication of Writing Magazine, issues 23-28, edited by Jeff Derksen and Nancy Shaw.

Fonds includes correspondence, manuscripts, drafts, notebooks, posters, published material, and computer discs.

The fonds consists of holograph manuscripts of poems collected in "Imaginary Elegies", "Language", and "The Book of Magazine Verse".

The fonds consists of correspondence to and from Irving Layton relating to Jennings' writing of an essay on Layton. Fonds includes a copy of the essay entitled "Existentialism in Irving Layton".

The fonds consists of correspondence, typescripts, submissions, subscription and business records, and other material.

The fonds consists of manuscripts, typescripts, and proofs of Io (1-24) and the affiliated publishing house, North Atlantic Books. Correspondence with editors Richard Grossinger and Lindy Hough include that from Clayton Eshleman, Theodore Enslin, Robert Kelly, and David Wilk. Fonds also includes some financial records.