Sub-series consists of records relating to the administration and activities of CAMRA Victoria / CAMRA BC. Records include articles of incorporation, by-laws, balance sheets and annual reports; correspondence and surveys; flyers, posters, fact-sheets, and bulletins; photographs (files 21, 22, 45); planning documents; media releases and public campaign material. Sub-series includes both paper and born-digital files; media formats (paper or digital) are indicated in the file titles. Original digital file formats are predominantly Microsoft Office documents (doc, docx, xls, xlsx), with some pdf and image formats (jpg).

Sub-series consists of photographic prints and negatives that were not assigned standard control numbers by the creating department (see sub-series 1-4 for description of the numbering system used by LIDC and its predecessors). Subjects include SFU architecture, campus scenes, and photos of university community members (Pauline Jewett, Chris Davies, David Skulski, A.J. Grants, Paul Cote, Wolfgang Youngrau, James B. Griffin, and R.W. Wylie). File 1 contains a series of photographs from the life of SFU Chancellor Gordon Shrum, including a World War I portrait and photos of his years at UBC and BC Hydro; some of these images were used in the the film produced by the Audio-Visual Centre This is SFU (1972).

Sub-series consists of print and born-digital calendars produced by Adbusters Media Foundation and their associated records. Print materials include 19 Adbusters calendars, dated to 1994, 1997, 1999-2008, 2012, and 2015-2020.

Born-digital materials include digital copies of calendars, mockups, advertisement graphics, artist permissions tracking tables, printing invoices, lists of famous quotes to include, lists of important dates to mark off, and thank-you notes. These born-digital records are associated with the calendars published from 2001-2003, 2005-2014, and 2018-2020. While there is some overlap, print calendars and born-digital records in this sub-series do not necessarily correlate.

Sub-series contains paper and born-digital records related to the Adbusters Media Literacy Kit, Media Empowerment Kit, and the implementation of media literacy workshops. Paper records include the Adbusters Media Lit Kit (2010), as well as two photocopies of a media literacy workshop supplement. Born-digital records include advertisement graphics, flyers, workshop powerpoint presentation templates (in PDF format), workshop notes, media lit kit assembly how-to guides, correspondence, contact lists, draft email templates, order forms, page revisions, Adbusters spoof ads, and a digital copy of a Media Empowerment DVD featuring Adbusters' TV spots.

Born-digital copies of the Adbusters Media Literacy Kit (2006), Adbusters Media Empowerment Kit (2007), Adbusters Media Lit Kit (2010), and the Adbusters Media Empowerment Kit (2012) are also included.

Sub-series consists of physical books authored by Kalle Lasn and their associated born-digital records. Physical books are available in English, as well as in the languages listed in the "Language of material" note. These books include Culture Jam: How to Reverse America's Suicidal Consumer Binge - and Why We Must (2000), Design Anarchy (2006), and Meme Wars: The Creative Destruction Of Neoclassical Economics (2012).

Born-digital records include release statements, advertisement graphics, book reviews, thank-you letters, contributor tracking tables, artist permissions tracking tables, licensed image usage contracts, royalty reports, spoof warning labels, and English-language digital copies of each of the three books.

Sub-series consists of merchandise created by Adbusters Media Foundation for the Blackspot sneaker campaign. Items include two pairs of blackspot shoes: v. 1 classic sneaker and v. 2 the unswoosher. The classic sneaker comes with its original shoebox.

Sub-series consists of paper and born-digital records created by Adbusters Media Foundation while administering the Blackspot campaign. Paper records include income statements, correspondence (manufacturer, retailer, and customer), stock inventories, marketing plans, market analyses, newsletters, and an internal order processing manual. Born-digital records include John Fluevog design drawings, letterheads, and internal manuals on the pricing, order processing, shipment, and exchange of Blackspot shoes.

Sub-series consists of records created by Adbusters Media Foundation during the First Things First project advocacy campaign. Building on the 1964 manifesto of British designer Ken Garland, the First Things First project was re-launched by Adbusters in 1999 to advocate against the use of graphic design to promote unethical products and industries.

In 2008, Adbusters launched the One World, One Flag design competition as a sub-campaign within the First Things First movement. In this sub-campaign, Adbusters called on designers from around the world to submit a flag design that embodies the ideal of global citizenship. In 2018, Adbusters brought the First Things first campaign to Emily Carr University, through an event called the "Emily Carr Jam."

Paper records include posters, design concepts, sketches, collages, internal memos, and campaign strategies and plans. Born-digital records include digital graphics, press releases, emails, "One World, One Flag" design submissions, and digital photographs.

Sub-series consists of three pamphlet series distributed by Adbusters Media Foundation. These include the "PoWeRShift Media Campaigns" pamphlet (a subsidiary of Adbusters which created advocacy commercials in the 1990s), the "Cyborg Manifesto," and a 5-part advocacy pamphlet series titled "Field Guide to a New World Order."

A born-digital version of each "Field Guide to a New World Order" is included as an access copy of these pamphlets. Access copies of the "PoWeRShift Media Campaigns" and the "Cyborg Manifesto" pamphlets are created from digital scans provided by Adbusters.

Sub-series consists of paper and born-digital mockups and revisions of Adbusters magazine. The two issues represented in this sub-series are Adbusters magazine, special edition (issue 151) and Adbusters magazine, vol. 28, no. 5 (issue 152).

Sub-series consists of the first two issues of Big Noise magazine, a periodical published by Adbusters Media Foundation with teenagers as the intended audience. Also included is a Big Noise media literacy supplement for teachers.

Sub-series contains physical copies of 162 issues of Adbusters magazine, from inception up to August 2022. Two copies of Adbusters magazine, vol. 16, no. 3 (issue 77) with alternative cover pages are included. The sub-series also includes a separated cover which was once used to bind the "Blueprint for a New World" boxset (issues 112-117).

Sub-series consists of research materials relating to the BC hops industry. Some of this material goes back to Evans' work on his thesis in the late 1980s, but much appears to have been accumulated in the context of his work on the "Brewers Gold" project, a travelling exhibit on the history of hops in BC (see sub-series 2).

Topics documented include the development of the industry in various regions of BC (the Saanich peninsula, Squamish, the Fraser Valley, the Okanagan); prominent BC hops growers and associations including the Canadian Hops Growers Ltd., Henry Ord Hops Dealers, John I. Hass Hop Company, the Horth family, William Towner, Thomas Lee, the Downey family, and Isaac Cloake; Indigenous involvement in the industry; production techniques, labour relations and strikes; Japanese Canadian and Indo-Canadian growers and pickers, including the use of Japanese Canadian workers during World War II and the Japanese Canadian internment.

Records include Evans' correspondence, notes and working papers, and speaking notes; interview notes, and some interview transcripts (file 16); copies of newspaper and magazine articles, excerpts from books and publications; family history and genealogical information relating to BC hop growers; and Evans' paper on the "Origins of the Hops Industry in the Pacific Northwest" (undated, file 12).

Archival materials found in the sub-series include photocopies of business correspondence, minutes, memoranda of agreement, and reports relating to the Canadian Hops Growers Ltd and Henry Ord Hops Dealers; original payrolls cheques of the Canadian Hops Growers Ltd from 1931; and an original business card of William Towner, Pioneer Hop Grower, North Saanich.

Publications include the full 1990 issue of Orchard, the journal of the British Columbia Orchard Industry Museum (file 9).

Files are arranged alphabetically.

Sub-series consists of research materials relating to breweries established in BC's Cariboo region, Northern BC and the Yukon in the 19th and early 20th centuries. For record types, see the Scope and content note in the parent series description (F-316-3).

Evans titled files by location or brewery name. Files are arranged alphabetically.

Sub-series consists of sounds recordings of live performances and studio recordings for which Marc Destrube acted as Leader of the Purcell String Quartet.

Files are arranged chronologically.

Sub-series consists of sounds recordings of live performances and studio recordings for which Sydney Humphreys acted as Leader of the Purcell String Quartet.

Files are arranged chronologically.

Sub-series consists of sounds recordings of live performances and studio recordings for which Norman Nelson acted as Leader of the Purcell String Quartet.

Files are arranged chronologically.

Sub-series consists of one scrapbook relating to the activities of the Purcell String Quartet, and one DVD of Norman Nelson's memorial service.

Files are arranged chronologically.

Sub-series consists of Phillipe Etter's daily planners, personal correspondence, and scrapbook; his collected programs, press reviews, and ephemera; and one copy of his memoir, "Reflections and Reminiscences" (file 16).

Files are arranged alphabetically.

Sub-series consists of correspondence relating to the professional activities of the Purcell String Quartet.

Files are arranged chronologically.

Sub-series consists of correspondence relating to the professional activities of the Purcell String Quartet.

Files are arranged chronologically.

Sub-series consists of records relating to projects undertaken jointly by SFU and other universities and colleges, including Fraser Valley College, Cariboo College, the Shuswap / Secwepemc Cultural Education Society (SCES), and The University President's Council (TUPC), a forum comprising the presidents and senior administrators of British Columbia's universities. Records include correspondence, reports, proposals, budgets, meeting minutes, agreements, and notes and working papers.

Sub-series consists of photographic negatives, contact sheets and prints created by staff photographers of LIDC and its predecessors. Contact sheets are pages of thumbnail images developed from the negatives. Contact sheets were organized by the creators by year, assigning a unique year-based serial number to each sheet (e.g. IMC 72062 = contact sheet 62 from 1972 created by the Instructional Media Centre). It is the contact sheets (rather than individual images) that were indexed (see note below on Finding aids).

For a few years (1987-1989), prints were developed from the negatives and filed by the same contact-sheet number system. Not all contact sheet negatives in these years were developed into prints; and the number of the prints post-1989 is very small. In the file-level contact sheet descriptions, the Physical storage section indicates the availability and container number of the contact sheet and any associated negatives and prints. In a small number of cases, contact sheets or negative may be missing, meaning they were not transferred to the Archives.

For photo subjects, see the parent series description for F-18-1, Photographic materials.

Note that the 1963 negatives pre-date the construction of the university and were later incorporated by IMC into its photo system. There are no contact sheets for the 1963 images.

Sub-series consists of one documentary produced by LIDC, From C to C: Chinese Canadian Stories of Migration. The sub-series was established in 2018 to accommodate the transfer of this production, with anticipation of future transfers of similar material. The sub-series, however, is now closed.

Sub-series consists of animated films created by SFU staff in the Audio Visual Centre (AVC) and Instructional Media Centre (IMC) to support university faculty, teaching and research.

Sub-series consists of digital video footage of campus events taken by LIDC staff. LIDC began using digital video cameras ca. 2002. Files 1-8 represent earlier analog materials later transferred to DVCam; file 109 is 1965 footage shot by CBC and transferred in 2006. Events documented include public lectures and readings, dance and theatre performances, building dedications, award and special ceremonies, anniversaries and commemorations.

Sub-series consists of slides created by LIDC photographers, maintained in alphabetically organized files based on subject. The exact relationship between the slides and the negatives and contact sheets in sub-series 4 is not clear; slides may have been created from the original negatives, but (with very few exceptions) there is no cross-reference on the slide back to a negative. For the general range of subjects, see parent series description (F-18-1).

Series consists of publications and other printed materials created by LIDC and its predecessors for SFU client departments. LIDC graphic designers worked with SFU departments and faculty members to create prints materials to support university communications, faculty teaching, research and publication, campus events and departmental programs. This series comprises sample copies retained by LIDC as a kind of portfolio of work. The dates range from 1999 to 2014, with the bulk concentrating on the years 2008-2012.

Publications and events represented include SFU Open Houses in 2008 and 2012; the President's annual Faculty Lecture (2006-2010) and the Distinguished Leadership Award ceremonies (2007-2012); reports to the SFU community by the President, the Alumni Association, University Advancement, and SFU Woodward's Vancity Office of Community Engagement; SFU News supplements for the Office of Aboriginal People (2011, 2012); books produced on special occasions to honor SFU community members, including President Michael Stevenson (2010), Chancellor Brandt C. Louie (2011), and donor Djavad Mowafaghian (2011); alumni and donor events; academic programs and workshops, including the Canadian Centre for Studies in Publishing annual Summer Workshops (1999, 2007-2010); and a book project for Continuing Studies entitled History of Sex Work Vancouver: Who We Were / Who We Are (ca. 2006).

Record types include posters, invitations, brochures, reports and books, program catalogues and university promotional materials.