Subseries consists of records related to the general operations of the Sports Information Office. Activities and topics documented include athletic award proposals; athletic award banquets and the granting of other honours; departmental reviews; the Coaching Specialist Program; and the recruitment of student athletes. Predominant document types include correspondence, team schedules, proposals, reports, photographs, player profiles, statistics, banquet programs, and a recruiting book.

Subseries consists of records related to the operations of the various sports teams that comprise the intercollegiate athletic program. Activities and topics documented include the recording of team statistics and records; team travel; and liaison with the National Association of Intercollegiate Athletics and member universities. Predominant document types include correspondence, rosters, schedules, travel itineraries, statistics, press clippings, news releases, programs (game/meet and season), and newsletters.

Subseries consists of photographs. Activities and topics documented include participation of SFU teams in intercollegiate games and events; and team membership. Predominant document types include black & white and colour photographs of various sizes, negatives, and contact sheets.

Subseries consists of records related to the publications and publicity of the intercollegiate athletics program. Activities and topics documented include the production of game and season programs and other informational publications; the tracking of media coverage of SFU teams; and the issuing of news releases. Predominant document types include news releases, press clippings, programs (game/event and season), press guides, and public relations and promotions guidelines.

Sub-series consists records relating to the sinking of the ship S.S. Central America in 1857, as well as records relating to the ship's salvage and the resulting court case regarding ownership of its treasure, for which Delgado served as an expert witness. Records include newspaper articles, research records, and legal documents.

Subseries consists of records relating to the IPA/ACP work with Statistics Canada to improve and refine the federal governments' annual statistics on the book publishing industry. Included are a draft and final versions of the survey questionnaires, survey booklets, draft reports, statistical tables, correspondence and clippings.

This sub-series consists various documents that specifically refer to Stephan Sorokin as individual and/or as a leader of the Doukhobors and the CCBRD, or were written by Sorokin. Most of the documents in this sub-series consists of correspondence and writings. Sorokin's letters were addressed to community or to individuals and were written in BC, Los Angeles and Montevideo. Many documents are focused on Sorokin's involvement in the activities an beliefs of the Sons of Freedom.

Sub-series consists of records relating to the Vice-President, Academic's interactions with university students and the Simon Fraser Student Society (SFSS). Records include correspondence, news releases, and SFSS Ombuds Office annual reports.

Sub-series consists of publications produced by the Society to inform students about SFSS activities, and SFU campus life and services. Includes student handbooks and guides, the 1967 student directory, a student-run teacher and course evaluation guide for 1978-79, and the annual SFSS Almanac that began in 1986-87 (not all years are included in the run).

The Simon Fraser University Film Workshop began in May 1967 when the university first obtained 16mm production facilities. The Film Workshop was a non-credit, production-orientated program coordinated through the Centre for Communication and the Arts that became the foundation for the SFU Film Minor program.

Under supervision of the University Resident in Film, students learned directing, filming, lighting, and sound technique, and served as cast and crew for each other's films. Students worked in 8mm, 16mm and videotape formats and produced films for educational rather than commercial purposes. At the end of each year, the films were screened on campus. Many of the films went on to win prizes in local and international student film festivals and have been screened all over North America and at European film festivals.

The film mentors leading the workshop in the early years included Shiela Reljic (1967 - 1969); Stan Fox, from CBC Vancouver (1969-1971); Luke Bennett, a New York film editor (1971-1972); Vincent Vaitiekunus (1972-1974); and Guy Bergeron, a filmmaker from Quebec (1974-1976). In 1979 Robert Nicholl, Jo Kirpatrick and Rick Patton, all filmmakers from the National Film Board (NFB) came to the workshop. That same year two more additional NFB filmmakers Tony Westman and Mark Smith joined the program along with Al Razutis (an independent experimental film maker from Vancouver). Staffing increases were met with an expansion in the Centre for the Arts and the creation of the film minor program that included courses in production and theory. This was supported by the growing curriculum of the Centre for the Arts that included a wide range of courses in theatre, sound, dance and studio art.

In 1987 SFU professors Patricia Gruben and Colin Browne conceived of Praxis, a national film writing and production workshop housed at the university. This program, along with SFU's four-year film program has enabled budding filmmakers to direct and produce their first feature films with renowned directors, writers, and editors.

The collection consists of textual records and 16mm films created by students who participated in the SFU Film Workshop program. For most of the film titles there are multiple reels which represent the individual production elements (i.e., A Roll, B Roll, Magnetic Track, Optical Track, Work Print) that were used to produce the final film version. Some films have related textual records that document the director's production notes used when editing the film.

Subseries consists of student work done at IMAG, including rough cuts and final versions of films.