Subseries consists of records related to the operation of the men's and women's intercollegiate track and field program. Activities and topics documented include the recording of track and field meet results and records; travel; and liaison with the National Association of Intercollegiate Athletics and member universities. Predominant document types include correspondence, rosters, schedules, travel itineraries, statistics, press clippings, news releases, and programs (meet and season).

Series consists of photographic material relating to the SFU track and field program that includes athletic events, practices, and both individual and team photos.

This sub-series consists of various records demonstrating Leo Tolstoy’s connection to the Doukhobor community and beliefs and his family relationship with Doukhobors, particularly Alexandra Tolstoy. This sub-series contains excepts of Tolstoy’s writings, clippings, brochures, Iskra articles about Tolstoy, published letter of Tolstoy to the Doukhobors and other related material.

Sub-series consists of a print of a drawing of the Titanic, as well as colour photographs, printed from digital images onto non-photographic paper, of underwater images from the Titanic and artefacts recovered from the Titanic.

Sub-series consists of annotated drafts for the poetry book "This Tremor Love Is."

Sub-series consists of records relating to Trower’s 2002 book "There Are Many Ways," which features the artwork of Jack Wise alongside Trower's poetry. Records includes early manuscripts from the 1960’s and 1970’s that were later used as a basis for the book, the original cover and early page proofs, as well as final and galley proofs.

Sub-series consists of audio and audio-visual recordings of individual plays performed at the Theatre. Includes five performances between 1965 and 1972 (sound recordings only) and 2 pieces from 2002 (moving images); see item list and descriptions for details of individual performances.

Sub-series consists of records relating to Wah’s activities as a member of the Writers’ Union of Canada. Records include correspondence, publications of the union, and administrative records.

The records in this sub-series have been arranged into the following two sub-sub-series: Racial Minorities Committee records, and General records.

Sub-series consists of records relating to Flood’s unpublished novel, "The Woman In The Window." Records include handwritten and typed drafts as well as correspondence with various publishers.

Series consists of records relating to the writing, editing, and publication of Gladys Maria Hindmarch's 1988 book "The Watery Part of the World," based on her experiences working aboard cargo ships in the early 1960s. Hindmarch worked on the book throughout the 1960s, 70s, and 80s, and worked extensively on it from 1985 to 1986, the year she took a sabbatical from her teaching position at Capilano College. It was during this time that the manuscript was first read by Denise Bukowski, Hindmarch's literary agent at Pacific Publishing Services. Working titles for the book project have included "The Boat Stories," "The Boat Book," and "Nootka Odyssey," and these titles are reflected in the file names. Record types in this series include drafts, manuscripts, page proofs, notes, research records, and correspondence.

Sub-series consists of issues of The Tartan magazine. The Peak Publications Society published the first issue in the fall of 2015 to celebrate SFU's 50th anniversary and in hopes of it becoming a regular publication under the former student newspaper's title. Whereas The Peak newspaper's focus is primarily on news reporting, The Tartan is intended to be a dedicated setting for fiction, poetry, artwork, photography, and long-form features about SFU. As of the second issue (spring 2016), the magazine will be published bi-annually.

Sub-series consists of issues of the two student newspapers at SFU that merged to form The Peak. The Tartan published six issues from September 17 to October 4, 1965; one issue of SF View appeared on October 4, 1965. This sub-series includes four copies of each issue: two hard-copies stored in separate bound volumes and two on microfilm (positive and negative film).

Sub-series consists of records relating to Norman Klenman and Philip Saltzman’s development of a feature film screenplay titled “The Ultimate Victim,” which was eventually produced under the title "The Swiss Conspiracy". Records include outlines and various drafts of the screenplay, contracts, notes, correspondence, and research material.

Sub-series consists of loose drafts of poems and drafts of the collection of poetry published as The Predicament of Or. The sub-series also includes a small amount of correspondence relating to the collection.

Sub-series consists of records relating to the short film "The Portside," written by Daphne Marlatt. Released in 2009, the film was part of the Out on Screen Queer History Project. Records document the writing of the film as well as its production and submission to film festivals. Records include screenplay drafts, correspondence, research records, and administrative records.

Sub-series consists of issues of The Peak student newspaper. Includes a complete set of hardcopy bound volumes and two microfilm copies (positive and negative film). The Peak publishes 13 issues each semester, starting a new volume with each semester. The microfilm sets include The Tartan and SF View, and begin with The Peak volume 1 (1965) and end with volume 98 (April 1998). The bound volumes of paper hardcopies continue past this date and regularly accrue.

Sub-series consists of textual material and photographs related to the opera, The Last Supper, performed with music composed by Harrison Birtwistle and libretto by Blaser.

Sub-series consists of the draft, revisions and final text of The Last Supper, an opera libretto written by Blaser. Material includes handwritten edits and notes on the text, which include facsimiles sent with revisions from Harrison Birtwistle, who wrote the score for The Last Supper, and representatives at Allied Artists.

Sub-series consists of records relating to Peter Trower's 2000 novel "The Judas Hills." Records include notes, outline and manuscripts from various stages of the novel's development (including first and final drafts), editorial comments by John Moore, Trower's storyboard sketches, and Trower's comments on the novel's cover design.

Subseries consists of three handwritten notebooks with drafts and notes related to the novel The Hero’s Walk.

Subseries consists of three drafts of the novel The Hero’s Walk edited by Algonquin Books USA and Alfred A. Knopf Canada

Subseries consists of articles and reviews of the novel The Hero’s Walk published in Canadian and international magazines and newspapers. It also includes Italian articles on Anita Rau Badami as winner of Berto Prize with her novel The Hero’s Walk

Sub-series consists of records relating to "The Gull," the Japanese Noh play written by Daphne Marlatt. The play is a dramatization of the historical link between the fishing town of Steveston, home to many Japanese-Canadians, and Mio, the coastal village in Wakayama, Japan, from which many of their ancestors originally emigrated. Records include manuscripts, permissions, correspondence, musical scores, research material, photographs, books, articles, promotional material, programs and related production material. Also includes two optical discs, one of which contains sound files with transcriptions.

Sub-series consists of drafts, permissions forms, notes, articles, correspondence, and other related records pertaining to Marlatt's prose poem "The Given," published in 2008.

Sub-series consists of audio recordings (cassettes) of a three-day public lecture series held by the Faculty of Education in July 1985, called "The Future of Education Research." Speakers were Robin Barrow (SFU), Jonas Soltis (Columbia University), Kieran Egan (SFU), Denis Phillips (Stanford University), LeRoy Daniels (University of British Columbia), and John Wilson (Oxford University). Records consist of audio cassettes.

Sub-series consists of records relating to "The Female Constituency" seminar held by the department on 6 February 1988 at SFU's Burnaby campus. Speakers included Rosemary Brown (1987 Ruth Wynn Woodward Professor), Marilyn Callahan, Penny Coates, Reva Dexter, Ruth Emery, Ellen Gee, Clarissa Green, Elaine Jacobson, Helga Jacobson, Arlene Tigar McLaren, Barbara Whittington, and Lillian Zimmerman. Records include correspondence, participant and invitation lists, a grant proposal, promotional and program package materials, a bibliography (which was offered for purchase post-conference), budget documentation, photographs, and other documents.