Fonds primarily contains examples of art created by Charles van Sandwyk from 1987-2005. The art includes prints, ephemera from books published by van Sandwyk, and ephemera from art exhibitions. Also included is biographical items about van Sandwyk, and two photographs of the artist. The material is arranged based on the type of material and, when applicable, the book for which the art was created. The fonds is divided into five series: Series 1. Biographical Items, Series 2. Books, Series 3. Promotional Materials, Series 4. Book Ephemera, Series 5. Art Ephemera.

The collection consists of copies and a small number of photographs of political cartoons dealing with Canadian and international events that took place from 1759 to 2006. Canadian topics include conscription, immigration, French-language rights, native self-government, imperialism, nationalism, labour conditions, women’s suffrage, and prohibition. The cartoons deal with, among many other topics, the Sino-Japanese War of 1894, the French conquest of Algeria, the Cold War, the war in Vietnam, and World Wars I and II. Publication dates of the newspapers and magazines from which the collection was copied range from 1846 to 2006. Dates of the events covered by the cartoons range from the mid-eighteenth century to 2006.

The fonds contains manuscripts, correspondence, journals, documents related to provincial and national writers organizations and documents related to the founding and running of Caitlin Press, The Poem Factory/Usine de Poeme, and Coracle Press including correspondence, manuscripts, promotional materials, and business records. Also includes papers related to Zonailo's academic work at various universities, as well as personal memorabilia, phonograph recordings and audio-cassettes of Zonailo's poetry set to music, video-cassettes, musical scores, literary periodicals, books by other authors (mostly inscribed to Zonailo), poetry broadsides, chapbooks, and ephemera. Records related to Zonailo's work as a member or the planning committee of the C.G. Jung Society of Montreal and editor of its newsletter are also included as well as correspondence, periodicals, graphic materials, and other records related to astrology.

The collection consists of materials that relate to Caroline Adderson's work as a writer. Types of materials include: versions of drafts of manuscripts, many with holograph annotations; incoming and outgoing correspondence in the form of handwritten and typewritten letters, and hard copies of email and fax; research relating to her work including collected works by other writers; notes that relate to and inform her literary work; promotional, personal, and research-related photographs; reviews of her work; and a collection of published work in monograph and serial format. These monographs and serials have been catalogued in SFU's Special Collections catalogue. Materials were accessioned in varying states of organization. Much of the material was and remains intermingled, and some had been organized and described by Adderson. Some folders have been written upon by the author, accompanied with explanations of the contents of the corresponding files. In this finding aid, RAD applies consistency to the body of material, but the descriptive contents within the actual folders are not consistent for this reason. All information Adderson has provided about her records has been kept with the appropriate papers.

The collection reflects the many aspects of the Canadian Farmworkers Union’s organization and its actions, including unionizing workers and certifying workplaces, advocating for workers’ rights, providing ESL classes and other educational programs, and speaking out on behalf of other workers’ rights and social rights in Canada and around the world. Records include administrative documents, financial records, internal and external correspondence, reference material on a variety of subjects, publications, and numerous photographs of events and activities.

The majority of the material in the collection was created or received by the CFU in the course of its work, but some material, such as the Charan Gill photographs and Craig Berggold book research records, was created by others in relation to the CFU.

The collection has been arranged into nine series: Administrative records (1974-2010); Event photographs ([198--1985]); Union action records ([1978]-1997); Programming and project records ([1965]-Printed 2013 (originally created 1986)); Research and advocacy records ([197-]-2011); Deol Society records (1977-1998); Canadian Farmworkers Union Ontario photographs and administrative records ([1979?]-1983); Charan Gill photographs ([199-]); and Craig Berggold book research records ([201-]-2013).

The fonds consists mainly of items related to Gaston's writing activities dating from 1981. It includes hand-written and word-processed correspondence between Gaston and friends, editors, publishers, and other writers; galley copies, published copies, manuscripts and drafts of unpublished and published books, articles, short stories, plays, radio plays, reviews, and poems; clippings and photocopies of reviews of Gaston's work; pen and ink drawings by Gaston; author photographs, contact sheets, and negatives; miscellaneous notes by Gaston on his work, thoughts, and readings; notes and memos related to Gaston's work as a teacher; an address book; a VHS video tape; promotional materials for Gaston's books and public appearances at readings and festivals; and ephemera such as tourism brochures.

The materials were received from the creator in two accessions. The first accession consisted of 12 boxes containing records of Gaston's work and writing from 1981 to 2005, including materials relating to all his published works up to Sointula (2004). The second consisted of five boxes containing materials relating mostly to the period from 2006 to 2008, covering the creation and publication of Midnight Hockey (2006), Gargoyles (2006), and The Order of Good Cheer (2008). The creator had arranged the materials in the fonds generally by individual work, and this arrangement has been maintained. Original file titles, where available, have also been retained. The fonds has been divided into 8 series: Series 1. Correspondence; Series 2. Writing; Series 3. Promotion, reviews, awards and honours; Series 4. Biographical information and photos; Series 5. Professional activities and teaching; Series 6. Screenplay adaptation of Sointula; Series 7. Ephemera; Series 8. Books

Fonds consists of the personal records of Betty Krawczyk, an environmentalist and active community member in British Columbia’s Lower Mainland. Spanning from 1970 to 2013, the fonds documents Krawczyk’s court cases, time spent in prison and participation in local community activism groups. The fonds predominately contains correspondence and legal records associated with Krawczyk’s court cases and prison sentences. Other records include certificates, notes, flyers, flags, mission statements, newspaper clippings, envelopes, financial papers, and Krawczyk’s published materials. The fonds has been arranged into eight series: Community activism records, Personal correspondence and related materials, Education, Legal records and related materials, Newspaper clippings and media coverage, Publications, Photographs and related materials, and Diaries.

The fonds consists of promotional materials, most notably full-colour posters, surrounding the shortlisting and adjudication of potential winners and the subsequent selection and celebration of winners of the prestigious prizes. Also included are media clippings and press releases surrounding the event.