Sub-series consists of records relating to the Canadian Farmworkers Union’s research and advocacy of occupational health and safety awareness and legislation, including correspondence, briefs prepared for government, newspaper clippings, and reference materials. Records also include awareness posters, blueprints of worker housing, educational materials, and photographs of child workers on farms.

Sub-series consists of records relating to the Canadian Farmworkers Union’s connections to and support of other labour and rights movements, including women’s rights, labour rights, and other agricultural workers’ organizations. Records include briefs and reports, newspaper clippings, and a Manitoba Farm Workers Association banner.

Sub-series consists of records relating to the Canadian Farmworkers Union’s research and advocacy of numerous issues including working conditions, workers in other countries, and minority groups. Records include newspaper clippings, research material, and correspondence

Sub-series consists of financial records for the Deol Society, including budgets, grant applications and correspondence, and account books.

Sub-series consists of records relating to the administration of the Deol Society, including correspondence, minutes, and internal communications.

Sub-series consists of records relating to projects undertaken by the Deol Society, including ESL classes, the Health Improvement Project (which entailed the production of the film Caught in a World of Pesticides, produced by Mae Burrows and Helena Cynamon), and the production of the film Kicking the Habit. Records include project-specific grant applications, project descriptions, progress reports, as well as photographs of the production of Caught in a World of Pesticides.

Sub-series consists of records relating to employment in the Deol Society, including employment-related grant applications, job development plans, and payroll records.

Sub-series consists of editions of the Deol Society News, as well as an information brochure about the society.

Sub-series consists of print and born-digital calendars produced by Adbusters Media Foundation and their associated records. Print materials include 19 Adbusters calendars, dated to 1994, 1997, 1999-2008, 2012, and 2015-2020.

Born-digital materials include digital copies of calendars, mockups, advertisement graphics, artist permissions tracking tables, printing invoices, lists of famous quotes to include, lists of important dates to mark off, and thank-you notes. These born-digital records are associated with the calendars published from 2001-2003, 2005-2014, and 2018-2020. While there is some overlap, print calendars and born-digital records in this sub-series do not necessarily correlate.

Sub-series contains paper and born-digital records related to the Adbusters Media Literacy Kit, Media Empowerment Kit, and the implementation of media literacy workshops. Paper records include the Adbusters Media Lit Kit (2010), as well as two photocopies of a media literacy workshop supplement. Born-digital records include advertisement graphics, flyers, workshop powerpoint presentation templates (in PDF format), workshop notes, media lit kit assembly how-to guides, correspondence, contact lists, draft email templates, order forms, page revisions, Adbusters spoof ads, and a digital copy of a Media Empowerment DVD featuring Adbusters' TV spots.

Born-digital copies of the Adbusters Media Literacy Kit (2006), Adbusters Media Empowerment Kit (2007), Adbusters Media Lit Kit (2010), and the Adbusters Media Empowerment Kit (2012) are also included.

Sub-series consists of physical books authored by Kalle Lasn and their associated born-digital records. Physical books are available in English, as well as in the languages listed in the "Language of material" note. These books include Culture Jam: How to Reverse America's Suicidal Consumer Binge - and Why We Must (2000), Design Anarchy (2006), and Meme Wars: The Creative Destruction Of Neoclassical Economics (2012).

Born-digital records include release statements, advertisement graphics, book reviews, thank-you letters, contributor tracking tables, artist permissions tracking tables, licensed image usage contracts, royalty reports, spoof warning labels, and English-language digital copies of each of the three books.

Sub-series consists of merchandise created by Adbusters Media Foundation for the Blackspot sneaker campaign. Items include two pairs of blackspot shoes: v. 1 classic sneaker and v. 2 the unswoosher. The classic sneaker comes with its original shoebox.

Sub-series consists of paper and born-digital records created by Adbusters Media Foundation while administering the Blackspot campaign. Paper records include income statements, correspondence (manufacturer, retailer, and customer), stock inventories, marketing plans, market analyses, newsletters, and an internal order processing manual. Born-digital records include John Fluevog design drawings, letterheads, and internal manuals on the pricing, order processing, shipment, and exchange of Blackspot shoes.

Sub-series consists of records created by Adbusters Media Foundation during the First Things First project advocacy campaign. Building on the 1964 manifesto of British designer Ken Garland, the First Things First project was re-launched by Adbusters in 1999 to advocate against the use of graphic design to promote unethical products and industries.

In 2008, Adbusters launched the One World, One Flag design competition as a sub-campaign within the First Things First movement. In this sub-campaign, Adbusters called on designers from around the world to submit a flag design that embodies the ideal of global citizenship. In 2018, Adbusters brought the First Things first campaign to Emily Carr University, through an event called the "Emily Carr Jam."

Paper records include posters, design concepts, sketches, collages, internal memos, and campaign strategies and plans. Born-digital records include digital graphics, press releases, emails, "One World, One Flag" design submissions, and digital photographs.

Sub-series consists of three pamphlet series distributed by Adbusters Media Foundation. These include the "PoWeRShift Media Campaigns" pamphlet (a subsidiary of Adbusters which created advocacy commercials in the 1990s), the "Cyborg Manifesto," and a 5-part advocacy pamphlet series titled "Field Guide to a New World Order."

A born-digital version of each "Field Guide to a New World Order" is included as an access copy of these pamphlets. Access copies of the "PoWeRShift Media Campaigns" and the "Cyborg Manifesto" pamphlets are created from digital scans provided by Adbusters.

Sub-series consists of paper and born-digital mockups and revisions of Adbusters magazine. The two issues represented in this sub-series are Adbusters magazine, special edition (issue 151) and Adbusters magazine, vol. 28, no. 5 (issue 152).

Sub-series consists of the first two issues of Big Noise magazine, a periodical published by Adbusters Media Foundation with teenagers as the intended audience. Also included is a Big Noise media literacy supplement for teachers.

Sub-series contains physical copies of 162 issues of Adbusters magazine, from inception up to August 2022. Two copies of Adbusters magazine, vol. 16, no. 3 (issue 77) with alternative cover pages are included. The sub-series also includes a separated cover which was once used to bind the "Blueprint for a New World" boxset (issues 112-117).

Sub-series consists of research materials relating to the BC hops industry. Some of this material goes back to Evans' work on his thesis in the late 1980s, but much appears to have been accumulated in the context of his work on the "Brewers Gold" project, a travelling exhibit on the history of hops in BC (see sub-series 2).

Topics documented include the development of the industry in various regions of BC (the Saanich peninsula, Squamish, the Fraser Valley, the Okanagan); prominent BC hops growers and associations including the Canadian Hops Growers Ltd., Henry Ord Hops Dealers, John I. Hass Hop Company, the Horth family, William Towner, Thomas Lee, the Downey family, and Isaac Cloake; Indigenous involvement in the industry; production techniques, labour relations and strikes; Japanese Canadian and Indo-Canadian growers and pickers, including the use of Japanese Canadian workers during World War II and the Japanese Canadian internment.

Records include Evans' correspondence, notes and working papers, and speaking notes; interview notes, and some interview transcripts (file 16); copies of newspaper and magazine articles, excerpts from books and publications; family history and genealogical information relating to BC hop growers; and Evans' paper on the "Origins of the Hops Industry in the Pacific Northwest" (undated, file 12).

Archival materials found in the sub-series include photocopies of business correspondence, minutes, memoranda of agreement, and reports relating to the Canadian Hops Growers Ltd and Henry Ord Hops Dealers; original payrolls cheques of the Canadian Hops Growers Ltd from 1931; and an original business card of William Towner, Pioneer Hop Grower, North Saanich.

Publications include the full 1990 issue of Orchard, the journal of the British Columbia Orchard Industry Museum (file 9).

Files are arranged alphabetically.

Sub-series consists of research materials relating to breweries established in BC's Cariboo region, Northern BC and the Yukon in the 19th and early 20th centuries. For record types, see the Scope and content note in the parent series description (F-316-3).

Evans titled files by location or brewery name. Files are arranged alphabetically.

Sub-series consists of sounds recordings of live performances and studio recordings for which Marc Destrube acted as Leader of the Purcell String Quartet.

Files are arranged chronologically.

Sub-series consists of sounds recordings of live performances and studio recordings for which Sydney Humphreys acted as Leader of the Purcell String Quartet.

Files are arranged chronologically.

Sub-series consists of sounds recordings of live performances and studio recordings for which Norman Nelson acted as Leader of the Purcell String Quartet.

Files are arranged chronologically.

Sub-series consists of one scrapbook relating to the activities of the Purcell String Quartet, and one DVD of Norman Nelson's memorial service.

Files are arranged chronologically.

Sub-series consists of Phillipe Etter's daily planners, personal correspondence, and scrapbook; his collected programs, press reviews, and ephemera; and one copy of his memoir, "Reflections and Reminiscences" (file 16).

Files are arranged alphabetically.

Sub-series consists of correspondence relating to the professional activities of the Purcell String Quartet.

Files are arranged chronologically.

Sub-series consists of correspondence relating to the professional activities of the Purcell String Quartet.

Files are arranged chronologically.

Sub-series consists of records relating to projects undertaken jointly by SFU and other universities and colleges, including Fraser Valley College, Cariboo College, the Shuswap / Secwepemc Cultural Education Society (SCES), and The University President's Council (TUPC), a forum comprising the presidents and senior administrators of British Columbia's universities. Records include correspondence, reports, proposals, budgets, meeting minutes, agreements, and notes and working papers.