Fonds consists of Gill's personal and professional correspondence, photographs, university notes and assignments, theses, drafts of poems and other writing, published works, and work records.

Fonds consists of records created and accumulated by the Kiss and Tell collective over the course of the collective’s operations. Records include photographs, correspondence, exhibition specifications and guidelines, and promotional and press materials.

Fonds consists of records accumulated by Kevin Roberts during his work as a writer and a teacher. They include teaching notes, manuscripts, drafts, and correspondence.

Fonds consists of posters, handbills, zines, newspapers, comics, original artwork, scripts, promotional material and audiovisual records related to the Vancouver political art and punk scenes in the 1980s and 1990s.

Fonds consists of the literary papers of author Keith Harrison. Records include research materials, correspondence, manuscripts, reviews, working notes, and contracts.

Fonds consists of records relating to the writing and publication of novels written by June Skinner under the pen names of Rohan O'Grady, and A. Carleon. These include original manuscripts, notes on works in progress, memorabilia, promotional material, rejection letters, grant applications, photographs, scrapbooks, and correspondence.

The fonds has been arranged into the following series: Manuscripts (1936-[1992?]); Contracts (1960-1998); Correspondence ([1949?]-2000); Research (1965-[197-?]); Promotional material and reviews (1961-1974); Personal (1947-[196-?]); and Finance (1941-1992).

The fonds consists of correspondence (letters from Wieners to John Marlow).

The fonds consists of correspondence and manuscripts including the corrected manuscript of an unpublished novel "The Black Nightingale" two published novels, a group of short stories and a radio play.

Fonds consists of photographs, diaries and journals documenting Koerner's artworks and travels to Japan, and one drawing.

The fonds consists of records relating primarily to Innes’ drawing, painting, and writing. Records include original cartoons, publications containing Innes’ work, a chapbook, exhibit programs and reviews, and images of Innes’ paintings, as well as photographs of Innes, biographical material, and a patent agreement.

The fonds has been arranged into six series: Records relating to Innes’ paintings ([190-?]-1943); Illustrations and cartoons ([between 1880 and 1941]); Publications (1900-[ca. 1934]); Photographs of Innes ([192-?-193-?]); Patent (1 Feb. 1919); and Records relating to Innes created after his death ([1941]-1945).

The fonds consists of twenty-three sheets of holograph poems and seventy-five sheets of printed poems.

Fonds consists of correspondence, magazines, manuscripts, financial records, event posters, notebooks, and artwork relating to Jeff Derksen's work as a poet and founder of the Kootenay School of Writing, in particular, the publication of Writing Magazine, issues 23-28, edited by Jeff Derksen and Nancy Shaw.

Fonds includes correspondence, manuscripts, drafts, notebooks, posters, published material, and computer discs.

The fonds consists of holograph manuscripts of poems collected in "Imaginary Elegies", "Language", and "The Book of Magazine Verse".

The fonds consists of correspondence to and from Irving Layton relating to Jennings' writing of an essay on Layton. Fonds includes a copy of the essay entitled "Existentialism in Irving Layton".

The fonds consists of correspondence, typescripts, submissions, subscription and business records, and other material.

The fonds consists of manuscripts, typescripts, and proofs of Io (1-24) and the affiliated publishing house, North Atlantic Books. Correspondence with editors Richard Grossinger and Lindy Hough include that from Clayton Eshleman, Theodore Enslin, Robert Kelly, and David Wilk. Fonds also includes some financial records.

The fonds consists of press releases, clippings, typescripts of speeches, photographs, and other material.

The fonds consists of sheet music, pipe band directories, paintings, photographs and other material.

Fonds consists of records documenting Hinda Avery's career as an artist and art teacher in Vancouver, B.C. Includes teaching notes, slides, and notebooks.

Fonds consists of concert ephemera, posters, promotional material, photographs, correspondence, and audio recordings created and collected by Heather Haley. Records illustrate her involvement in the Vancouver punk scene, including her bands the Zellots, and the 45s. Other notable members from Vancouver punk bands are represented in the photographs and ephemera collected by Haley.

The fonds consists of manuscripts, press clipping, correspondence, etc.

The fonds consists of incoming correspondence, five manuscript poems and other material.

Fonds consists of records created or accumulated by Gladys Maria Hindmarch, primarily through her activities as a writer. Records document the writing and editing of her books and works of short prose, her other editorial work, and her personal and professional relationships with friends and other writers. Records include correspondence, drafts, manuscripts, notes, journals, published articles and reviews, and research records.

Fonds has been arranged into the following five series: Correspondence (1959-1998), Writings and related records ([ca. 1959]-1994), Notebooks (1962-[ca. 1981]), Works of others ([ca. 1959]-1997), and Personal records ([ca. 1962]-1985).

Fonds consists of research material, scripts, notebooks, permissions and source footage used by Kovanic in the production of her documentary films. Suspino: A Cry for Roma was released in 2003 and directed by Kovanic and produced by Tamarin Productions. The film uses interviews, a profile of a refugee family, and historical footage in order to trace the experience of persecuted Romani peoples in Eastern Europe, primarily Romania. Other films in the fonds include Our Tears Run Red, Yellow and Green, Baboon Tales and Dreaming a Nation: The Kurds, from 1994.