The Facilities Management fonds consists of records created and received in the course of the administration of the Department and the carrying out of its functions, which changed over time. The original responsibilities of the department included building the physical plant of the University, maintaining buildings and grounds, and providing support services such as food, traffic control, and security. Later, its functions were narrowed to the construction and maintenance of the physical plant and grounds.

The activities documented include policy and procedures development; the planning, construction and maintenance of the University's physical plant and grounds, including land acquisition and liaison with outside consultants and bodies; and the planning and delivery of services to the University, including water and power, traffic, security, fire prevention, purchasing, bookstore operations, central stores, mail, and food. The types of documents include meeting agenda and minutes, certificates, contracts, correspondence, copies of deeds, legal releases, lists, maps, memoranda, architectural plans, reports, and design specification books.

The fonds consists of manuscript, galley proofs and published version of Persky's book of poetry, Lives of the French Symbolist Poets (1967).

The fonds consists of records primarily reflecting Robinson’s career as a writer, spanning approximately from 1991 to 2018. These include drafts of several of her novels including "Monkey Beach", "Traplines", "Blood Sports", "Son of a Trickster" and "Trickster Drift", correspondence with editors and other miscellaneous records. The fonds is arranged into seven series: Correspondence (1993-2005); Awards, events and reviews (1991-2007); Records relating to "Traplines" ([1997]); Records relating to "Blood Sports" (2004-2005); Records relating to "Monkey Beach" ([ca. 2000?]); Records relating to "Son of a Trickster" (2016-2017); and Records relating to "Trickster Drift" (2014-2018).

Fonds consists of correspondence, manuscripts, notes, articles, and promotional materials created or accumulated by Robert Bringhurst over the course of his career as a typographer and writer. The majority of records were created in 2000 or later, as the donor had also donated records to Library and Archives Canada in the past.

The records include manuscripts of several of his major publications, as well as draft versions and speaking notes for many essays written and talks delivered throughout his career. Also included is correspondence with friends, publishers, and colleagues, translated editions of many of his books, and promotional materials such as posters and brochures for many conferences, festivals, and other events Bringhurst participated in. The fonds also contains some personal records, including birth, marriage, and death certificates from his immediate family. A timeline of major life events and activities has been included by the donor.

The records have been arranged into the following six series: Biographical material (2013); Personal records (1913-2013); Chronological files (1954-2013); Correspondence (1971-2013); Manuscripts (2013); and Broadsides and posters ([ca. 2000-2013]).

The fonds reflects Mootoo's work as a writer and artist. It contains printed typescripts of published works with drafts and related working papers, published reviews, drafts of unpublished works, lecture notes, professional correspondence, notebooks and sketchbooks, video productions in VHS format, audio materials and works of visual art.

The fonds has been arranged into 8 series: Literary works; Correspondence; Interviews; Book reviews and announcements; Notebooks and early writings; Artistic works; Photographs; and Ephemera. Some of the series are further subdivided into sub-series.

Fonds consists of predominantly of media works (photographs, moving images, sound recordings, graphic materials) created by LIDC and its predecessors. Records were created in the course of the department's work to provide media and technical support for university teaching and research; support instruction in the development of innovative teaching methods; produce publications to communicate and promote SFU and its programs; and create an audio-visual record of campus events and activities. Records include photographs in various formats (negatives, contact sheets, prints, slides), graphic design materials (drawings and cartoons), sound recordings and moving images; textual records comprise print publications created for client departments.

The fonds has been arranged into five series based on media type and subject:

• Photographic material (series 1).
• Moving images (series 2).
• Convocation recordings (series 3 - audio and video).
• Graphic and design works (series 4).
• Reports and publications (series 5).

This collection contains records of the British Columbia Social Credit Party, predominantly in relation to the operations of Burnaby-Edmonds constituency. The collection includes records relating to other selected ridings where by-elections took place and party wide records relating to provincial elections. A considerable amount of records relates to the Social Credit Party leadership campaigns, party annual conventions and BC Young Socred organization. The majority of records cover period between 1978 and 1996, but some records reach as far as 1950 and 2005.

The collection contains administrative and day to day operations records such as memos, correspondence, membership list, contact lists, organizational constitution and by-laws, statements, committees’ minutes, and messages. In addition, the collection contains handbooks, manuals, reports and informational booklets intended to instruct candidates and volunteers on campaigning methods and strategies. Many of these records provide insight into shaping and evolving of the policies and electoral platforms of the Social Credit Party. In addition, the collection contains provincial election and party leadership campaign managing records that include candidate profiles and lists, internal correspondence and memos, and external use records intended for the promotion of the Social Credit Party and its candidates. The collection also includes a number of newspaper clippings, party newsletters, articles, posters, photographs, campaign buttons, video and sound recordings of events and promotional material.

The collection is arranged into to eight series: 1. Assembled books; 2. Government publications; 3. General documents; 4. Newspaper clippings and party newsletters; 5. Photographs; 6. Posters; 7. Buttons; 8. Audio and video recordings.

Fonds consists of correspondence, drafts, articles, reviews, and other records created and accumulated by Anita Rau Badami in the course of her career as a writer. Includes drafts of her first three novels: Tamarind Mem (1997), The Hero’s Walk and Can You Hear the Nightbird Call?. There are no records related to her last novel, Tell it to the Trees (2011). The records have been arranged in the following four series: Personal records (1992-2003); Tamarind Mem (1994-2001); The Hero’s Walk (1999-2005); Can You Hear the Nightbird Call? (2003-2006).

The fonds is a hybrid, containing graphic materials, artifacts, textual records, and born digital records created or received by Tin Whistle Brewing Company during the production, distribution, and promotion of their craft beer line. Records include glass bottles, wooden and ceramic beer tap handles, labels, posters, signs, banners, table cards, beer profiles, t-shirts, beer glasses, bottle blueprints, gift certificates, temporary tattoos, business cards, pamphlets, awards, and digital images. Records also include digital copies of newspaper and magazine articles documenting the company's achievements.

The fonds has been arranged by the archivist into six series:
• Beer bottles and growlers (series 1)
• Beer tap handles (series 2)
• Promotional materials and merchandise (series 3)
• Awards (series 4)
• Photographs (series 5)
• Media publicity files (series 6)

The fonds consists of 16 audio cassette tapes, with a total of 10 interviews, conducted by poet Barry McKinnon of Prince George B.C. for a special issue of the Toronto magazine Open Letter on B.C. Poets and Print. The fonds also contains word-for-word interview transcriptions and transcriptions that have been edited for publication. Fonds also contains a grant proposal, correspondence, notes, drafts, and layouts related to producing the work. B.C. Poets and Print appeared in Open Letter (Seventh series, nos. 2-3) in 1988.

Collection consists of diaries, photographs, a passport, correspondence and an award issued to Allan Grant from the Saskatchewan Wheat Pool in 1974.

Fonds consists of correspondence with Canadian writers George Bowering, Roy Kiyooka, Daphne Marlatt, and Fred Wah, and of correspondence with David Robinson of Talonbooks.

Toby Brooks is an American-born social advocate and activist living in Canada with her husband David. Toby worked at a home for women survivors of domestic abuse in Ontario in the 1970’s and 1980’s. While furthering her education she came across the story of Vancouver poet Pat Lowther, murdered at just 40 years of age by her husband in 1975 when just on the brink of professional recognition. Pat Lowther’s untimely death resonated with Brooks, who spent the better part of the next two decades researching and interviewing Lowther’s friends, family, and colleagues. The end result was a biography entitled “Pat Lowther’s Continent: her life and work” published by gynergy books in 2000. Toby also organized a series of tributes dedicated to Pat Lowther. The first was held in 1995 at Emmanuel College in Toronto, with others following at various locations on what would have been her milestone birthdays.

This collection consists of textual records compiled primarily by Toby Brooks, but also some research material from her collaborator Dona Sturmanis. The records are mainly correspondence, interview transcripts and photocopies of poems. There are also copies of research records obtained from other archives or organizations.

There are 3 series contained within this collection: Research and writing ([ca. 1959-2006]); Toby Brooks-Dona Sturmanis collaboration ([before 2000]); and Pat Lowther tributes and readings ([ca. 1985-2006])

Fonds consists of materials related to the production and publication of the multimedia and literary arts zine called Rattler, including correspondence, photographs, publicity, drafts and original layouts, artwork, related posters and zine publications, poetry submissions, and copies of the published zines. Fonds also includes t-shirts that were produced to promote the zine, and one file of original layouts created by Heather Haley for the poetry section of LA Weekly.
The archivist has arranged the fonds into two series:
General operational records (series 1)
Publications (series 2)

The fonds consists the archive of poet and writer Barry McKinnon.

The fonds consists of materials related to Culley's writing, curatorial and editorial work, and includes notebooks, manuscripts, reference materials, proofs, correspondence, ephemera, photographs, and negatives. The fonds also includes a diary, manuscripts by others, magazines, and Vancouver International Film Festival programs.
The fonds has been arranged by the archivist into 9 series:
Writing (Series 1)
Works by others (Series 2)
Correspondence (Series 3)
Personal (Series 4)
Editorial and curatorial (Series 5)
Reference material (Series 6)
Ephemera (Series 7)
Photographs (Series 8)
Biographical information (Series 9)

The fonds consists of letters from Zukofsky to the poet Cid Corman. The fonds also contains four letters to the poet Walter Lowenfels.

The fonds consists primarily of Acorn's finished poems and pages of preliminary drafts. Fonds includes some correspondence (1964) and prose manuscripts.

Fonds consists of 22 linocut blocks created by Bev Leech in 1961, as a senior thesis project at the Vancouver School of Art (now Emily Carr University of Art and Design) to produce the book, A Glossary of Typographical Terms by Simon Oliver.

The fonds consists of samples of handmade papers, paste papers, and drafts of Lissel's paste paper sample book, TOPOS, published in 2006. The fonds is arranged into the following two series: handmade papers and paste papers.

Fonds consists of correspondence, written works and published materials by Blaser and other writers, photographs, and other records accumulated by Blaser during his lifetime. Records include poems, journals and notebooks, book manuscripts, essays, audio and video recordings of poetry readings, personal and financial records, teaching materials, genealogical records, collected publications and articles, and conference and promotional material. Fonds has been arranged into the following eighteen series: Correspondence of Robin Blaser ([between 1931 and 1937]-2009); Correspondence of others (1916-2009); Written works by Robin Blaser ([between 1941 and 1943]-2008); Poetry readings and other performances (1968-2009); Travel records (1959-2008); Articles and reviews regarding Robin Blaser ([194-]-2009); Teaching and academic related material (1946-2005); Business and financial records (1966-2008); Personal records and other biographical material (1925-2009); Honors and awards records (2001-2008); Photographs ([between 1880 and 1900]-2007); Family records and other genealogical material (1919-2007); Works by other authors ([195-]-2009); Ephemera ([195-]-2009); Research articles ([Photocopied 196-]-2007); Conference material ([196-]-2007); Promotional material ([195-]-2006); and Artistic material ([195-?]-2002).

Fonds consists of records relating to Mary Billy's life and work as a feminist and editor of Herspectives magazine. Records include correspondence, notes, drafts, poetry, women’s activism records, diaries, journals, clippings, photographs, and research records.
The fonds has been arranged into the following six series: Correspondence (1986-2005); Written works (1978-2002); Diaries (1978-2002); Herspectives records (1989-1995); Women’s activism records (1985-2004); and Works by others (1977-1994).

Fonds consists of correspondence, written works and published materials by Wah and other writers, photographs, and other records accumulated by Wah during his lifetime, arising from both personal and professional activities. Records include poems, essays and reviews; journals and notebooks; book manuscripts; teaching materials; travel records; administrative records; and promotional material for conferences, workshops and other events.

The records in this fonds have been arranged into the following eight series: Correspondence (1960-2013); Writings and related records (1961-2012); Research records, works of others, and works about Wah ([196-]-2012); Academic work and instruction records (1927, [196-]-2005); Events and travel records (1965- 2013); Professional service and activities records ([ca. 1961]-2013); Residency records (1981-2007); and Personal records ([196-?]-[199-?]).