The fonds consists of manuscripts, correspondence and other textual material.

The fonds consists chiefly of correspondence.

The fonds consists of incoming correspondence (some accompanied by poems) to Eshleman by Allen Ginsberg, W.C. Williams and Florence Williams, Robert Duncan and Edward Dorn. Fonds includes some outgoing correspondence to Asphodel Bookstore in Cleveland, Ohio.

The fonds consists of correspondence, manuscripts and typescripts of Coyote Books, Coyote's Journal and the earlier Northwest Review, along with galley proofs, layout sheets, reports, and other material. Correspondence, much of it to editor Edward Van Aelstyn, includes letters from Robert Creeley, Ed Dorn, Michael McClure, Gary Snyder, Jonathan Williams, Ron Loewinsohn, Clayton Eshleman and Philip Whalen.

The fonds consists of records created or accumulated by Flood through her activities as a writer. Records include notes, drafts, correspondence with publishers, contracts, promotional materials, reviews, royalty statements, notebooks, handwritten manuscripts and copies of published journals in which Flood’s works are printed.

The fonds has been arranged into the following three series: Short stories (1961-2008); Novels (1974-2004); and Essays, talks and reviews (1972-2006).

The fonds consists of a letter from Reed to Mark Wilson of Arcata, CA.

The fonds consists of letters sent to British poet Tom Raworth, a manuscript of Dorn's book "Gloucester Out" and other material.

The fonds consists of correspondence, typescripts, submissions, subscription and business records, and other material.

The fonds consists of correspondence, manuscripts, a mailing list and other material.

The fonds consists of manuscripts and typescripts, galley and paste-ups, correspondence to editors (in particular, Frank Davey), unpublished and rejected manuscripts and printed copies of issues of "Open Letter". Correspondence and manuscripts include contributions from George Bowering, bp Nichol, Daphne Marlatt, Margaret Atwood, Gerry Gilbert, Dave McFadden, Fred Wah, Warren Tallman, Victor Coleman and others.

The fonds consists of correspondence, manuscripts, proofs; business and subscription records, and other material.

Fonds consists of correspondence, research, notes, written works, newspaper clippings and other records accumulated by Shackleton over her lifetime. These include records relating to her career as a writer, editor and journalist, her political activities, her education, research, travels abroad and those records relating to her professional and personal relationships within organizations and with acquaintances, friends and family members. Records have been arranged into the following seven series: Writing records ([194-]-2001); Research and reference files ([196-]-1985); Education and employment records (1931-[ca. 1992]); Political records (1944-1979); Professional organization records (1983-2001); Personal subject files ([19--]-2001); and Travel souvenirs, notes, and ephemera ([196-?]-1995).

Fonds consists of records relating to Bett's life as a poet and English professor. They include journals, notebooks, correspondence, and books.

Fonds consists of records created by Rick Patton; they reflect his life and work as a filmmaker and freelance sound engineer in Vancouver, B.C.

The fonds consists of incoming correspondence, five manuscript poems and other material.

Records consist of videotaped poetry performances and textual records relating to the annual Visible Verse videopoem festival held at Pacific Cinematheque in Vancouver, B.C.

The fonds consists of correspondence (letters to the poet Cid Corman), manuscripts and other material.

The fonds consists of correspondence, poems (including concrete, experimental and sound poem drafts), manuscripts (including drafts), notebooks, and journals of bp Nichol. Fonds includes records (1964-1987) of Nichol's presses, Ganglia and grOnk, consisting of manuscript files, correspondence files, mockups, business and reference files, computer discs, the authors poetry and comic book collections, photographs, television scripts, etc. Correspondents and contributors include Bill Bissett, Gerry Gilbert, Margaret Avison, Earle Birney, David Harris, David Phillips, David McFadden and others.

The fonds consists of samples of handmade papers, paste papers, and drafts of Lissel's paste paper sample book, TOPOS, published in 2006. The fonds is arranged into the following two series: handmade papers and paste papers.

Fonds consists of correspondence, drafts, articles, reviews, and other records created and accumulated by Anita Rau Badami in the course of her career as a writer. Includes drafts of her first three novels: Tamarind Mem (1997), The Hero’s Walk and Can You Hear the Nightbird Call?. There are no records related to her last novel, Tell it to the Trees (2011). The records have been arranged in the following four series: Personal records (1992-2003); Tamarind Mem (1994-2001); The Hero’s Walk (1999-2005); Can You Hear the Nightbird Call? (2003-2006).

The fonds consists of letters from Zukofsky to the poet Cid Corman. The fonds also contains four letters to the poet Walter Lowenfels.

Fonds consists of correspondence, manuscripts, notes, articles, and promotional materials created or accumulated by Robert Bringhurst over the course of his career as a typographer and writer. The majority of records were created in 2000 or later, as the donor had also donated records to Library and Archives Canada in the past.

The records include manuscripts of several of his major publications, as well as draft versions and speaking notes for many essays written and talks delivered throughout his career. Also included is correspondence with friends, publishers, and colleagues, translated editions of many of his books, and promotional materials such as posters and brochures for many conferences, festivals, and other events Bringhurst participated in. The fonds also contains some personal records, including birth, marriage, and death certificates from his immediate family. A timeline of major life events and activities has been included by the donor.

The records have been arranged into the following six series: Biographical material (2013); Personal records (1913-2013); Chronological files (1954-2013); Correspondence (1971-2013); Manuscripts (2013); and Broadsides and posters ([ca. 2000-2013]).

Fonds consists of records created and received by Bud Osborn during his life and work as an activist, poet and community organizer in Vancouver's Downtown Eastside. Records include legal documents, reports, manuscripts, photographs, correspondence, royalty statements, sound recordings and research.