Sub-series consists of paper and born-digital mockups and revisions of Adbusters magazine. The two issues represented in this sub-series are Adbusters magazine, special edition (issue 151) and Adbusters magazine, vol. 28, no. 5 (issue 152).

Sub-series contains records related to Adbusters Media Foundation's participation in the 2018 Vancouver Art Book Fair. Paper records include subscription cards, an internal manual on running an exhibition booth, price lists, and newsletter sign-up sheets. Born-digital records include emails, photographs, digital posters, an internal manual on running an exhibition booth, and a silent auction prize letter.

Sub-series contains records related to Adbusters Media Foundation's participation in the 2018 Seoul Mediacity Biennale Exhibition. Paper records include an exhibition catalogue, where Adbusters Media Foundation is featured on page 195. Born-digital records include a press release, emails, photographs, and a video of Adbusters' exhibit.

Sub-series consists of born-digital records created by Adbusters Media Foundation during the Occupy Silicon Valley campaign. Occupy Silicon Valley was initiated by Adbusters in September 2018 to protest the influence of tech companies such as Alphabet (Google), Amazon, Apple, and Facebook.

Born-digital records include press releases, posters, stickers, memes, instagram story graphics, and moving image files (MP4, MPEG) used to promote the campaign.

Sub-series contains records related to the administration of the Adbusters Media Foundation Culture Shop, with specific reference to multiple user surveys conducted to determine user engagement with the website. Physical and born-digital records include manuals, user surveys, and survey findings.

Sub-series consists of business records relating to the planning and management of What Brewing Magazine during the period of Dave Smith's editorship. Records include correspondence, planning documents, meeting agendas, as well as three artefacts (magazine holder stands).

Sub-series consists of print copies of individual issues of What's Brewing, from Smith's relaunch of the magazine in 2015 (vol. 25, no. 1) to the last print edition of December 2020 (vol. 30, no. 4). Note that two issues from 2016 (vol. 26, nos. 1 and 4) are full-colour proof copies; the remaining are follow the normal format of colour cover with black-and-white content. No print editions have been issued after 2020, when the magazine shifted to an entirely online presence.

Sub-series consists of issues of The Tartan magazine. The Peak Publications Society published the first issue in the fall of 2015 to celebrate SFU's 50th anniversary and in hopes of it becoming a regular publication under the former student newspaper's title. Whereas The Peak newspaper's focus is primarily on news reporting, The Tartan is intended to be a dedicated setting for fiction, poetry, artwork, photography, and long-form features about SFU. As of the second issue (spring 2016), the magazine will be published bi-annually.

Sub-series contains records related to social media marketing. Physical records include internal Adbusters social media marketing campaign memos. Digital records include three versions of the "Adbusters Social Media Strategy" as well as website analytics.

Sub-series consists of a single issue – the first – of the British Columbia Craft Beer News. The issue (volume 1, number 1) was published in XXXX 2013.

Sub-series consists of born-digital records created by Adbusters Media Foundation during the Occupy Wall Street campaign. Occupy Wall Street was a campaign initiated by Adbusters in September 2011 to protest wealth disparity and corporate influence on democracy in the wake of the 2008 global financial crisis. Adbusters initially called for protestors to occupy Zuccotti Park in New York City, but the movement eventually grew to be run by local grassroots collectives over 900 cities around the world.

Born-digital records in this sub-series include posters, pamphlets, protest photographs, and memes.

Sub-series contains paper and born-digital records related to the Adbusters Media Literacy Kit, Media Empowerment Kit, and the implementation of media literacy workshops. Paper records include the Adbusters Media Lit Kit (2010), as well as two photocopies of a media literacy workshop supplement. Born-digital records include advertisement graphics, flyers, workshop powerpoint presentation templates (in PDF format), workshop notes, media lit kit assembly how-to guides, correspondence, contact lists, draft email templates, order forms, page revisions, Adbusters spoof ads, and a digital copy of a Media Empowerment DVD featuring Adbusters' TV spots.

Born-digital copies of the Adbusters Media Literacy Kit (2006), Adbusters Media Empowerment Kit (2007), Adbusters Media Lit Kit (2010), and the Adbusters Media Empowerment Kit (2012) are also included.

Sub-series consists of books by Gambone published by publishers other than Red Lion Press. Titles includes a 2010 edition of Joseph Dietzgen's The Nature of Human Brain Work with an essat by Gambone (PM Press); and two works published by Edmonton's Black Cat Press, Gambone's memoir, No Regrets (2015), and his history of the BC IWW, For Freedom We Will Fight (2021).

Sub-series contains born-digital copies of the listserv newsletter distributed by Adbusters Media Foundation. The newsletter discusses ongoing campaigns being promoted by Adbusters Media Foundation; Adbusters magazine launches and subscription sales; and sales on merchandise or Blackspot shoes.

Records include the newsletter textual records (in HTML and PDF format) as well as separate digital graphics files associated with the newsletters (in PDF, JPG, JPEG, TIF, TIFF, PNG, GIF, and PSD format).

Sub-series consists of one documentary produced by LIDC, From C to C: Chinese Canadian Stories of Migration. The sub-series was established in 2018 to accommodate the transfer of this production, with anticipation of future transfers of similar material. The sub-series, however, is now closed.

This sub-series contains born-digital sound recordings, audiovisual materials, and graphic artwork. Records include short (15 second to 1 minute in length) promotional videos for Adbusters Magazine and the organization's various campaigns; audio readings of Adbusters Magazine (Issues 71 to 98), and an audio recording interview with activist Kenneth O'Keefe. Born-digital graphic materials associated with Adbusters Live Without Dead Time (2003, mixed by DJ Spooky that subliminal kid), and The Production of Meaning (2006) are also included within this sub-series.

Sub-series consists of born-digital records created by Adbusters Media Foundation during the Kick It Over advocacy campaign. Kick It Over was launched to mobilize students to work for a curriculum change in the field of Economics. The campaign argues for "kicking over" neoclassical economic theory and the measurement of gross domestic product, as it creates and illusion of progress that does not account for the true cost of an industry's negative effects on the environment or public health. In 2012, Adbusters brought the Kick It Over campaign to University of British Columbia, through an event called the "UBC Jam" or "Occupy Econ 101."

Born-digital records include the kick it over manifesto, posters, digital graphics, and photographs taken during the UBC Jam.

Series consists primarily of records relating to organizing the conference hosted by SFU on women in trades entitled "The Winning Ticket".

Sub-series contains both paper and digital notes created by Adbusters staff members when conducting general operations for the foundation. Paper records include 13 staff notebooks, which detail marketing strategies, design sketches, campaign concepts, draft newsletters, and general notes taken by a minimum of four different individuals employed by Adbusters Media Foundation.

Digital records include volunteer schedules, job descriptions, task lists, to-do lists, external contact lists, meeting notes, a proposed booklet outline, how-to guides, branding plans, digital migration plans, and general notes created by multiple individuals employed by Adbusters Media Foundation.

Subseries consists of interviews for an SFU women's studies course on creative non-fiction taught by Braid in 2006.

Series consists of interviews with people who knew Gould in a variety of capacities including piano tuner, musicians, and TV producer. All interviews were conducted by Braid.

This sub-series consists of records created by the ad hoc committee that was formed to examine and improve the University's Media, Communications, Government, and Community Relations. The Committee was a precursor entity to the External Relations Committee. Includes meeting agendas, schedules, minutes, and notes; reports; presentations; promotional materials; and student surveys.

Sub-series consists of born-digital records created by Adbusters Media Foundation during the following campaigns: Media Carta, TV Turnoff Week, Mindbombs, Boycott Divest sanctions, Black Remembrance Day, and the White House Siege. Records related to the development of a World Revolution App are also included. Types of born-digital records include manifestos, posters, advertisements, memes, photographs of merchandise, internal fundraising textual records, emails, and a moving image depicting an app's conceptual design (in .MOV format).

Sub-series consists of records relating to Rowling's published writings for Celebrator Beer News, a magazine established in California in 1988 reporting on craft beers and brewing. Records are primarily in digital format; see Scope and content note in the parent series description for record types. Media format is indicated in the file title ([paper] or [digital]).

This sub-series consists of records related to the activities of the Governance Committee. This Committee was formed in July 2004 as a result of a final report and recommendations provided by the Governance Working Group. The Governance Committee's responsibilities included regular review of Board Policy 10.01; ensuring effectiveness of the Board Orientation Strategy; monitoring University Governance trends; ensuring effective coordination with Board committees, Senate, and stakeholders; as well as evaluating the Board and making recommendations for improvement. Includes meeting agendas and minutes, terms of reference, recommendations, memos, correspondence, draft Board evaluation forms, reports, and best practice guidelines.

Sub-series contains applications and deliverables related to the TIDES Foundation grant and the Curry Stone Foundation Design Prize. Records include grant applications, grant progress reports, graphic design submissions lists, permission forms, and spoof ad graphics.

Sub-series contains financial records of Adbusters Media Foundation. These records include annual reports, budgets, income statements, financial summaries, balance sheets, payment schedules, tax forms, monthly sales reports, sales analytics, and invoices. Records largely pertain to the operational costs of Adbusters Media Foundation in general, but include some specific financial records associated with the Blackspot campaign.

This sub-series consists of records related to the activities of the Governance Working Group. The final report and recommendations issued by this group resulted in the formation of the Governance Committee in July of 2004. Includes meeting agendas, memos, correspondence, and presentations.

Sub-series consists of merchandise created by Adbusters Media Foundation for the Blackspot sneaker campaign. Items include two pairs of blackspot shoes: v. 1 classic sneaker and v. 2 the unswoosher. The classic sneaker comes with its original shoebox.