Series consists of audio and audio-visual recordings of SFU Convocation ceremonies. Formats include audiocassettes (sound recordings), VHS videotape and DVCam digital videotape. The series is arranged into three sub-series:

• Convocation: sound recordings (F-18-3-1)
• Convocation: audio-visual recordings (F-18-3-2)
• Convocation: digital video footage (F-18-3-3)

Series consists of graphic design materials created by LIDC and its predecessors. Includes drawings and artwork by LIDC graphic designer Elizabeth Carefoot (sub-series 1) and a portfolio of print publications created by LIDC for SFU departments and faculty (sub-series 2).

Series of film and video works produced by staff of LIDC and its predecessors. It includes animated films produced in support of university teaching and research (sub-series 1); a documentary, From C to C: Canadian Chinese Stories of Migration (sub-series 2); and digital video footage of campus events and activities (sub-series 3).

Series consists of reports and publications produced by LIDC and its predecessors to communicate the department's activities and programs. Record types include annual reports, newsletters, brochures, and posters. Includes materials created by the former Centre for University Teaching.

Series consists of records relating to administration and finances for the Purcell String Quartet. Includes itineraries, reports, and contracts with SFU and other institutions and event organizers.

Series consists of promotional photographs of Purcell String Quartet, as well as personal photographs taken by individual members during tours and events. Includes contact sheets, negatives, and photographic prints.

Files are arranged by contact sheets, digitized photographs, and photographs chronologically. Where known, the photographer for a set of photographs is noted in the file title (e.g., File 5 - USSR tour - Phillipe Etter).

Series consists of reviews and media releases related to performances and events featuring the Purcell String Quartet. Includes newspaper clippings and magazine articles.

Files are arranged chronologically.

Series consists of correspondence relating to professional activities of the Purcell String Quartet. Includes correspondence with event organizers and collaborators; professional associations; media contacts; and friends and supporters.

The series has been arranged by the archivist into separate sub-series:

• Correspondence files (sub-series 1)
• Chronological correspondence (sub-series 2)

Series consists of programs for concerts, tours, and workshops given by the Purcell String Quartet.

Files are arranged chronologically.

Series consists of personal records for Normal Nelson and Phillipe Etter. Includes scrapbooks, daily planners, correspondence, programs, press reviews, and one DVD.

The series has been arranged by the archivist into separate sub-series:

• Norman Nelson records (sub-series 1)
• Phillipe Etter records (sub-series 2)

Series consists of sounds recordings of live performances and studio recordings. Includes appearances on CBC; the performance at Carnegie Hall; and a recording of the last official Purcell String Quartet concert in 1991.

The series has been arranged by the archivist into separate sub-series based on the group lead at the time of recording:

• Norman Nelson, Leader (sub-series 1)
• Sydney Humphreys, Leader (sub-series 2)
• Marc Destrube, Leader (sub-series 3)

Series consists of two moving images of live performances: a CBC TV feature (file 1), and a Vancouver Art Gallery concert series performance (file 2).

Files are arranged chronologically.

Series consists of records relating to historical enquiries made or received by Evans and his activities as an historical consultant on a number of projects.

Activities documented include design projects incorporating historical materials for brewpubs and breweries (Spinnakers and Moon Under Water in Victoria, Longwood in Nanaimo, the Vancouver Island Brewery); his work as historical interpretive consultant for the Arbutus Greenway Residential Project in Vancouver that redeveloped the old Vancouver Breweries site at 11th Ave. and Vine St. in 1999; a proposal to the BC Trade and Investment Office to develop a resource guide promoting BC brewing expertise to potential clients in Japan; and his correspondence with brewers, breweries, collectors, associations, and other brewing historians on topics relating to beer history.

Records includes correspondence, notes, and working papers; agreements, invoices, and work orders; brewery promotional material; copies of newspaper and periodical articles; copies of fire insurance plans (sections), historical photographs, and archival materials; and a copy of the Fall 1996 BCL Guide containing Evans' article "When Everything Old is New Again: The Tradition of Brewing in BC" (file 10).

Series consists of records relating to Evan's book project. In 2011, Evans reached agreement with the Royal British Columbia Museum (RBCM) to produce a series of books under the working title The History of Beer Brewing in British Columbia. The work was initially planned as three separate volumes: The Pioneer Years, 1858-1920 (Part 1); The Years of Consolidation, 1920-1982 (Part 2); and A Renaissance of Brewing, 1982-present (Part 3). A revision of the agreement in 2016 narrowed the scope to just the first two volumes. Evans continued to work on the project up to his death, but the manuscripts were not completed and no copies survive.

This series brings together a number of files relating to the book project. Records includes outlines for the project and the publishing agreement with RBCM (files 1-2); correspondence, notes, working papers, progress checklists, invoices, bibliographies and reference materials. Reference material includes works by Lynn Pearson, "Towers of Strength: Brewery Architecture at Home and Abroad" (paper given at the Victorian Society at Young's Brewery in London in Feb 2006) and Derrek Eberts, "To Brew or Not to Brew: A Brief History of Beer in Canada" (Manitoba History, vol. 54, Feb. 2007).

While there are no surviving manuscripts for the book, it seems likely that many fragments do exist in the form of the multi-page profiles of individual breweries that are found in many of the "brewery files" in series 3.

Two files placed in series 9, Photographs, labels and graphics reference the book project and contain correspondence relating to permissions for use of photographs in the book. Much of the materials in series 3 was accumulated in the course of Evans' work on the book.

Series consists of records relating to Evans' completion of his Master of Arts degree in the Department of History at the University of Victoria. Evans entered the program in 1985 and completed his thesis, The Vancouver Island Brewing Industry: 1858-1971, in 1991.

The series includes a paper and digitized copy of the thesis (files 18-20 and 21 respectively); two course papers that set out the program of study (files 2-3); chapter drafts and notes, including materials for a chapter on labour ("The Workplace") that was omitted in the final thesis (file 10); and administrative records relating to Evans' enrolment in the Master's program (file 1).

Records include notes and working papers, essays, draft chapters, and thesis; correspondence, transcripts, and letters of recommendation.

Files are arranged chronologically.

Series consists of records relating to the promotion and marketing of the Purcell String Quartet. Include posters, brochures, press releases, flyers, branded stationary, and one promotional print.

Files are arranged chronologically.

Series contains paper and born-digital records related to two events which Adbusters Media Foundation participated in: the Seoul Mediacity Biennale Exhibition (2018) and the Vancouver Art Book Fair (2018).

Paper records include an exhibition catalogue, subscription cards, price lists, an internal manual on running an exhibition booth, and newsletter sign-up sheets. Born-digital records include press releases, emails, photographs, an internal manual on running an exhibition booth, a silent auction prize, digital posters, and a video of Adbusters' exhibit.

The series has been arranged by the archivist into separate sub-series based on the type of event:

• Seoul Mediacity Biennale Exhibition records (sub-series 1)
• Vancouver Art Book Fair records (sub-series 2)

Files are arranged chronologically.

The series consists of paper and born-digital records arising from Kalle Lasn's participation in various conferences and public forums. Notable conferences documented are:

• Canadian Association for Media Education - Annual General Meeting, Vancouver, April 29, 1996
• The American Institute of Graphic Arts Conference, San Francisco Museum of Modern Art, October 17, 2002
• TYPO Berlin, May 2006

Paper records include talking notes, event flyers, correspondence, and planning materials. Born-digital records include a powerpoint presentation (in .PDF format).

Series consists of Adbusters Media Foundation publications and books authored by Kalle Lasn, as well as drafts and mockups associated with the creation of these publications. Records include copies of Adbusters magazine and its mockups, Big Noise magazine, Culture Jam, Design Anarchy, Meme Wars, the Adbusters Media Literacy Kit, calendars, pamphlets, posters, digital spoof ads, and digital listserv newsletters.

The series has been arranged by the archivist into ten sub-series based on the publication type:

• Adbusters magazine records (sub-series 1).
• Big Noise magazine records (sub-series 2).
• Magazine mockups and revisions (sub-series 3).
• Books and associated records (sub-series 4).
• Media literacy kits and associated records (sub-series 5).
• Calendars and associated records (sub-series 6).
• Pamphlets (sub-series 7).
• Posters and associated records (sub-series 8).
• Digital spoof ads and associated records (sub-series 9).
• Listserv newsletter (sub-series 10).

Files are arranged chronologically.

Series consists of records created by Adbusters Media Foundation during the following campaigns: Buy Nothing Day, First Things First Project, Media Carta, Kick It Over, Occupy Wall Street, Mindbombs, Boycott Divest Sanctions, Occupy Silicon Valley, Black Remembrance Day, and the White House Seige. Records include paper and born-digital materials such as digital graphics, photographs, design submissions, memes, press releases, emails, and moving image and audio "subvertisements."

The series has been arranged by the archivist into separate sub-series according to which advocacy campaign they derive from:

• Buy Nothing Day campaign records (sub-series 1).
• First Things First project records (sub-series 2).
• Kick It Over campaign records (sub-series 3).
• Occupy Wall Street campaign records (sub-series 4).
• Occupy Silicon Valley campaign records (sub-series 5).
• General campaign records (sub-series 6).

Files are arranged chronologically.

Series consists of physical merchandise produced and distributed by Adbusters Media Foundation, as well as born-digital records related to the creation and design of the merchandise. Physical merchandise includes postcards, stickers, pin-back buttons, fridge magnets, flags, apparel, a coffee mug, a magnetized ceramic cookie, spoof parking tickets, and baseball cards. Born-digital records include photographs and digital graphic mockups of postcards, stickers, T-shirts, coffee mugs, baseball cards, flags, packaging, pin-back buttons, patches, and a spoof parking ticket. While there is some overlap, physical merchandise and born-digital records in this series do not necessarily correlate.

The series has been arranged by the archivist into two sub-series based on the record's format.

• Physical merchandise (sub-series 1).
• Born-digital records (sub-series 2).

Files are arrange chronologically.

The series consists of paper and born-digital records documenting Adbusters Media Foundation's activities and the Occupy movement in various media publications. Records include interview transcriptions, newspaper clippings, magazine clippings, online news article printouts, letters to the editor, 2 published books, and 1 photocopied book excerpt.

Interview transcriptions were conducted for Kyoto Journal (2001), Eyeteeth (2003), Staya (2005), Guernica (2011), the White Review (2013), and Micah White (2013).

Print and online media publishers include Sun Magazine (2001), CBC (2004), Lürzer's Archive (2008), the Georgia Straight (2009), the Globe and Mail (2009, 2013), the Hook (2009), the Lawyer's Weekly (2009), the Vancouver Sun (2011, 2012), Advertising Age (2011), the New York Times (2011, 2012, 2015), the Vancouver Observer (2011), the Washington Post (2011), the New York Review (2011-2013), the Occupied Times of London (2011), the Epoch Times (2011), Der Spiegel (2011), Vanity Fair (2012), Harper's Magazine (2012), the Progressive (2012, 2015), Vancouver Magazine (2012), In These Times (2012), the Dance Current (2012), the Guardian (2012), the Walrus (2012), the Ubyssey (2013), the London Review of Books (2013), Sad Mag ( 2015), and the Ethical Consumer (2020).

Books include Alternative Media in Canada by Kirsten Kozolanka, Patricia Mazepa, and David Skinner (2012), Why We Occupy: Liberty Plaza 2011 by Olivia Schanzer (2012), and a photocopied excerpt of Why Dissent Matters, Chapter 7, by William Kaplan (2017).

Born-digital media coverage records include a scanned newspaper clipping advertising Blackspot sneakers (2004), a draft article written by Kalle Last and Micah White (2011), an interview with Greg McLaughlin for Contexts Magazine (2012), and two draft letters to the editor of the New York Times (2013, 2016).

Series consists of analogue and born-digital records created by Adbusters Media Foundation while administering the Blackspot shoe campaign as well as designing, promoting, and distributing Blackspot sneakers and boots. The Blackspot shoe campaign was launched in 2002. For this campaign, Adbusters created and sold the Blackspot Sneaker (2002) and the Unswoosher (2006), shoes manufactured in a unionized workshop and created with vegan and recycled materials. The intent of Blackspot is to take market share from large shoe and athletic corporations through the creation of an environmentally responsible and fair trade alternative.

Paper and analogue records include income statements, correspondence (manufacturer, retailer, and customer), stock inventories, marketing plans, market analyses, newsletters, order processing guidelines, shareholder certificates, pamphlets, promotional photographs, and two pairs of blackspot shoes: v. 1 classic sneaker and v. 2 the Unswoosher.

Born-digital records include shoe design drawings, letterheads, internal manuals, advertisement graphics, promotional photographs, posters, coupons, stickers, gift cards, labels, shareholder certificates, T-shirt mockups, catalogues, promotional comics, and website mockups.

The series has been arranged by the archivist into separate sub-series based on the type of material:

• Administrative records (sub-series 1).
• Promotional materials (sub-series 2).
• Shoes (sub-series 3).

Files are arranged chronologically.

Series contains records and artifacts related to the bottling of craft beer at Tin Whistle Brewing Company. Records and artifacts include beer bottles, growlers, beer bottle labels, and beer bottle blueprints.

Series consists of beer tap handles and their labels, produced and/or used by Tin Whistle Brewing Company in their tasting room.

Series consists of promotional materials and merchandise produced and distributed by Tin Whistle Brewing Company. Records include table cards, beer profiles, posters, signs, banners, pamphlets, temporary tattoos, drink cards, gift certificates, business cards, t-shirts, and beer glasses.

Series consists of awards granted to the Tin Whistle Brewing Company. Awards included within this series were issued by the Okanagan Fest-of-Ale in 1996 and in 2013.

Series contains scanned digital images of the Tin Whistle Brewery, it's owners, the brewing process, and attendance at brewery festivals. Photo subjects include Linda Grierson, Richard Grierson, Lawrie Lock, Lynda Lock, and Lorraine Nagy.

Series consists of digital images and word document files documenting Tin Whistle Brewery's activities in various media publications. Records include final article drafts and scanned newspaper clippings.

Series consists of photographs created by the staff photographers of LIDC and its predecessors. Negatives and contact sheets were systematically maintained, organized by year-based serial numbers (see sub-series 4 for description of the system). Two groups of subject-based files were also maintained, organized alphabetically: a set of slides (sub-series 2) and a set of unnumbered prints and negatives (sub-series 5. Subjects include SFU's architectural competition and design, interior and exterior architecture; opening ceremonies, presidential installations, Convocation and other special events; faculty portraits and images of students, faculty and staff in classroom and campus settings. Photographers whose works are represented in the series include Chris Hildred, Ron Long, Eddy Chan, Greg Ehlers, and Fred Kyba. Record types include negatives, contact sheets, slides and prints.

The series is arranged into three sub-series; note that there is no sub-series 1 or 3 (retired; see note on Arrangement).

• Slides, 1967-2003 (F-18-1-2).
• Numbered contact sheets, negatives and prints, 1963-2001 (F-18-1-4).
• Unnumbered prints and negatives, 1967-1999 (F-18-1-5).