The series consists of paper and born-digital records relating to the joint partnership between Adbusters Media Foundation and RED Academy Vancouver. This partnership arose for the development of a mobile application as well as a digital marketing strategy for Adbusters. Paper records include correspondence, a community partnership agreement, and conceptual sketches of the mobile application. Born-digital records include community partnership agreements, a digital marketing plan, sales analytics, emails, a powerpoint presentation (in .PDF format), and moving images depicting the conceptual design of the World Revolution App (in .MOV format).

Series consists of an audio recording of a January 10, 2018 panel discussion with nine former volunteers with the Vancouver Women's Bookstore. The panel was moderated by Alexandra Bischoff and Vincent Tao. It formed part of a reunion celebration held at the Morris and Helen Belkin Gallery on the evening before the opening of the exhibition Beginning with the Seventies: Glut, which exhibited Bischoff's "Rereading Room," a reconstruction of the Vancouver Women's Bookstore.

Series contains paper and born-digital records related to two events which Adbusters Media Foundation participated in: the Seoul Mediacity Biennale Exhibition (2018) and the Vancouver Art Book Fair (2018).

Paper records include an exhibition catalogue, subscription cards, price lists, an internal manual on running an exhibition booth, and newsletter sign-up sheets. Born-digital records include press releases, emails, photographs, an internal manual on running an exhibition booth, a silent auction prize, digital posters, and a video of Adbusters' exhibit.

The series has been arranged by the archivist into separate sub-series based on the type of event:

• Seoul Mediacity Biennale Exhibition records (sub-series 1)
• Vancouver Art Book Fair records (sub-series 2)

Files are arranged chronologically.

The series consists of an essay that documents Kersti Krug's experience as a member of SFU's Personnel Department in the 1970s.

The essay was transferred to the Archives as a PDF and is accessible here in SFU AtoM. A hard copy has also been printed for access in the Archives' Reading Room.

Series consists of books written by or about Arthur Erickson. Books include Eppich House II: The Story of an Arthur Erickson Masterwork by Greg Bellerby and Michelangelo Sabatino (2019), and Francisco Kripacz: Interior Design by Arthur Erickson (2015, published posthumously).

Series consists of records relating to Smith's work as publisher and editor of What's Brewing Magazine following his relaunch of the publication in 2015. Records include a run of print copies the magazine (2015-2020) (sub-series 1) and business planning documents and artefacts (sub-series 2).

Series consists of fact sheets published by the JHSLM on correctional facilities, crime and employment, and other matters related to prison advocacy.

Series consists of publications issued by or relating to the Office of the Chancellor.

Series consists of records relating to Evan's book project. In 2011, Evans reached agreement with the Royal British Columbia Museum (RBCM) to produce a series of books under the working title The History of Beer Brewing in British Columbia. The work was initially planned as three separate volumes: The Pioneer Years, 1858-1920 (Part 1); The Years of Consolidation, 1920-1982 (Part 2); and A Renaissance of Brewing, 1982-present (Part 3). A revision of the agreement in 2016 narrowed the scope to just the first two volumes. Evans continued to work on the project up to his death, but the manuscripts were not completed and no copies survive.

This series brings together a number of files relating to the book project. Records includes outlines for the project and the publishing agreement with RBCM (files 1-2); correspondence, notes, working papers, progress checklists, invoices, bibliographies and reference materials. Reference material includes works by Lynn Pearson, "Towers of Strength: Brewery Architecture at Home and Abroad" (paper given at the Victorian Society at Young's Brewery in London in Feb 2006) and Derrek Eberts, "To Brew or Not to Brew: A Brief History of Beer in Canada" (Manitoba History, vol. 54, Feb. 2007).

While there are no surviving manuscripts for the book, it seems likely that many fragments do exist in the form of the multi-page profiles of individual breweries that are found in many of the "brewery files" in series 3.

Two files placed in series 9, Photographs, labels and graphics reference the book project and contain correspondence relating to permissions for use of photographs in the book. Much of the materials in series 3 was accumulated in the course of Evans' work on the book.

Series consists of two pamphlets associated with the Arthur Erickson memorial at Simon Fraser University, which took place on May 20, 2009.

Series consists of the newsletters of the JHSLM.

Series consists of annual reports.

Series consists of four banners used during SFU's fourtieth anniversary celebrations.

This series comprises meeting dockets distributed to Board members, selected University officials, and campus organizations before each regular meeting, starting from 2004 onwards. The dockets include minutes from the previous meeting for approval, along with the current meeting agenda and all pertinent support papers.

Includes meeting agendas, minutes, and support papers including correspondence; reports; financial statements; board committee minutes; contracts; architectural drawings; personnel records such as curriculum vitae, reference letters, and appointment forms; news clippings, and other documents.

For minutes or agendas and support papers related to meetings held before 2004 when these records were kept separately, please refer to series F-33-1: Official Minutes and F-33-2: Agenda support papers.

Series consists of analogue and born-digital records created by Adbusters Media Foundation while administering the Blackspot shoe campaign as well as designing, promoting, and distributing Blackspot sneakers and boots. The Blackspot shoe campaign was launched in 2002. For this campaign, Adbusters created and sold the Blackspot Sneaker (2002) and the Unswoosher (2006), shoes manufactured in a unionized workshop and created with vegan and recycled materials. The intent of Blackspot is to take market share from large shoe and athletic corporations through the creation of an environmentally responsible and fair trade alternative.

Paper and analogue records include income statements, correspondence (manufacturer, retailer, and customer), stock inventories, marketing plans, market analyses, newsletters, order processing guidelines, shareholder certificates, pamphlets, promotional photographs, and two pairs of blackspot shoes: v. 1 classic sneaker and v. 2 the Unswoosher.

Born-digital records include shoe design drawings, letterheads, internal manuals, advertisement graphics, promotional photographs, posters, coupons, stickers, gift cards, labels, shareholder certificates, T-shirt mockups, catalogues, promotional comics, and website mockups.

The series has been arranged by the archivist into separate sub-series based on the type of material:

• Administrative records (sub-series 1).
• Promotional materials (sub-series 2).
• Shoes (sub-series 3).

Files are arranged chronologically.

Series consists of articles written, by the JHSLM and others, on various aspects of the justice system in Canada.

Series consists of two moving images of live performances: a CBC TV feature (file 1), and a Vancouver Art Gallery concert series performance (file 2).

Files are arranged chronologically.

Series consists of guides for the youth justice system, families and federal prison, and successful parole applications and release from prison.

Series contains the born-digital records creating during a web archiving of www.adbusters.org by Adbusters Media Foundation.

Series consists of records relating to writing the poems about Glenn Gould and his music's affect on her, which occurred just as Braid found out she had gone deaf in one ear. Records include drafts, research on composers and composition, correspondence, book launch records, and reviews.

The series consists of paper and born-digital records documenting Adbusters Media Foundation's activities and the Occupy movement in various media publications. Records include interview transcriptions, newspaper clippings, magazine clippings, online news article printouts, letters to the editor, 2 published books, and 1 photocopied book excerpt.

Interview transcriptions were conducted for Kyoto Journal (2001), Eyeteeth (2003), Staya (2005), Guernica (2011), the White Review (2013), and Micah White (2013).

Print and online media publishers include Sun Magazine (2001), CBC (2004), Lürzer's Archive (2008), the Georgia Straight (2009), the Globe and Mail (2009, 2013), the Hook (2009), the Lawyer's Weekly (2009), the Vancouver Sun (2011, 2012), Advertising Age (2011), the New York Times (2011, 2012, 2015), the Vancouver Observer (2011), the Washington Post (2011), the New York Review (2011-2013), the Occupied Times of London (2011), the Epoch Times (2011), Der Spiegel (2011), Vanity Fair (2012), Harper's Magazine (2012), the Progressive (2012, 2015), Vancouver Magazine (2012), In These Times (2012), the Dance Current (2012), the Guardian (2012), the Walrus (2012), the Ubyssey (2013), the London Review of Books (2013), Sad Mag ( 2015), and the Ethical Consumer (2020).

Books include Alternative Media in Canada by Kirsten Kozolanka, Patricia Mazepa, and David Skinner (2012), Why We Occupy: Liberty Plaza 2011 by Olivia Schanzer (2012), and a photocopied excerpt of Why Dissent Matters, Chapter 7, by William Kaplan (2017).

Born-digital media coverage records include a scanned newspaper clipping advertising Blackspot sneakers (2004), a draft article written by Kalle Last and Micah White (2011), an interview with Greg McLaughlin for Contexts Magazine (2012), and two draft letters to the editor of the New York Times (2013, 2016).

Series consists of records relating to Braid's work on co-editing, along with Sandy Shreve, a publication on Canadian form poetry. Records include notes and contributions by form type, correspondence with writers, including PK Page, and drafts.

Series consists of digital photographs maintained by Fellman on two working computers, an iMac and a MacBook Pro. See the note on Arrangement in series 7 for more information about the organization of Fellman's computer files. The photos were managed in Mac's iPhoto applicable. Some images appear to have been uploaded directly from camera, but others are likely to have been received as considerably smaller derivatives of photos created by someone else. The original format for all still images was jpg. The series also includes three short home-movie videos (in files 3 and 8) stored as avi files.

The content of the photos document scenes from everyday life and includes pictures of family and grandchildren, gatherings of family and friends, vacation photos, and scenes from Fellman and Aloi's home on Pender Island, BC.

Series consists of email messages sent or received by Fellman from his SFU email account (fellman_AT_sfu.ca). Activities documented include personal correspondence with family and friends; exchanges with other scholars relating to research interests; correspondence with his literary agent, publishers, and media outlets; academic and professional work, including conference attendance, teaching, supervision of graduate students, and SFU administrative duties; and Fellman's work as a board member of Jewish Family Services Vancouver and the College of Psychologists of British Columbia. Activities, topics, and correspondents overlap considerably with records (paper, analog, and digital) contained in all other series in the fonds.

The vast bulk of the emails date from 2000-2008. That Fellman's account was still active after 2008 is indicated by a small number of 2012 sent emails, print copies of post-2008 emails included in the paper files, and the fact that a large number of emails were received by the account after his death (mostly deleted by the archivist, see the General note on appraisal below). In 2008-2009 SFU moved to the Zimbra Collaboration Suite email platform. Most of Fellman's surviving email predates this switch, as indicated by the mailbox folder names ("Eudora/" and "SFUWebmail-old/"). All this suggests that virtually all Fellman's email from his Zimbra account was deleted at some point in 2012 and that what survives in the email archive are mainly messages carried forward from the old systems.

The Archives has retained the email as a single series, with no arrangement into sub-series. At the time the account was backed up and put offline (2013), the email was organized into three main groups of folders: the Inbox and Outbox of the current Zimbra account; a group of folders originating with the Eudora email platform; and a third group labelled "SFUWebmail-old." This mailbox structure is preserved in the email archive as processed by the archivist, and the messages can all be viewed in the context of their original folders at time of transfer.

The archivist used ePADD software to process the email and applied only minimal post-transfer curation: basic descriptive information was provided at the ePADD collection and accession levels (see the note on Finding aids below); appraisal and selection was applied (see the General note on appraisal below); and the list of correspondents was normalized where possible so that an individual's various email aliases are grouped under a single entry in the form LastName, FirstName. But no tags, annotations or restrictions were applied at the individual message level.

Note that there is some overlap with series 7, Desktop correspondence and working files. Some of the electronic documents retained by Fellman on his computer (series 7) appear to be copies of messages exported / migrated from the email system to Word or text documents.

Series consists of records documenting the establishment and development of SFU's Undergraduate Semester in Dialogue (USD) program by Mark Winston in his capacity as director of the program. It also includes records relating to the development of SFU's Centre for Dialogue and its programs by Winston in his capacity as the Centre's academic director and as a fellow. Records include correspondence, agendas, minutes, reports, proposals, photographs, and other materials.

The series is arranged into 2 sub-series in order to keep separate the records of the USD program, which entail administrative records created and received by Winston in the course of his activities in founding, developing, and sustaining this academic program for the university. These materials are unique and considered university records. However, because Winston created and received these university records as he created and received his personal papers, the archivist opted to keep them in Winston's fonds rather than remove them to a university fonds.

Series is arranged into 2 sub-series:

1. Undergraduate Semester in Dialogue program
2. Centre for Dialogue

Series consists of records relating to Braid's writing Emily Carr: Rebel Artist, a book for young readers on the famous Canadian artist. Records include drafts, correspondence, and research.

Series consists of records created by Adbusters Media Foundation during the following campaigns: Buy Nothing Day, First Things First Project, Media Carta, Kick It Over, Occupy Wall Street, Mindbombs, Boycott Divest Sanctions, Occupy Silicon Valley, Black Remembrance Day, and the White House Seige. Records include paper and born-digital materials such as digital graphics, photographs, design submissions, memes, press releases, emails, and moving image and audio "subvertisements."

The series has been arranged by the archivist into separate sub-series according to which advocacy campaign they derive from:

• Buy Nothing Day campaign records (sub-series 1).
• First Things First project records (sub-series 2).
• Kick It Over campaign records (sub-series 3).
• Occupy Wall Street campaign records (sub-series 4).
• Occupy Silicon Valley campaign records (sub-series 5).
• General campaign records (sub-series 6).

Files are arranged chronologically.

This series consists of records relating to TeleLearning spin-off companies, including InVentures Incubator Inc., TeleLearning Solutions Inc., CLEARMed Inc., TELEStraining Inc., ThoughtShare Communications Inc., and Virtual Learning Environments Inc. Activities documented include company establishment, business and strategic planning, promotion, and the Network's purchase and / or sale of company shares.

Records include proposals, correspondence, reports, agreements, contracts and memoranda of understanding, meeting minutes, business plans, certificates of incorporation (copies), company by-laws, project files, work plans, promotional material, media releases, financial statements, invoices, share agreements and certificates. Record media include paper and electronic; electronic records are retained in their original software formats (.doc, .rtf, .ppt, .xls, and .pdf).

Series consists of a set of six sound recording originally on audio cassette. Four of the recordings are interviews with former Executive Directors and the present Executive Director on the occasion of the thirtieth anniversary of childcare at SFU. The remaining sound recordings are copies of radio interviews by broadcaster Rafe Mair with Sheila Davidson and Social Services Minister Lois Boone about the social services strike in 1999.

The series consists of an unpublished manuscript created by Gene Waddell for the Canadian Centre for Architecture. The manuscript exists in two different formats – as a photocopied, physical copy and as digitized files. The physical copy is an unabridged version that can be accessed in the reading room, and the digitized files are text-searchable, PDF files that are accessible here in SFU AtoM.