This series consists of records relating to TeleLearning spin-off companies, including InVentures Incubator Inc., TeleLearning Solutions Inc., CLEARMed Inc., TELEStraining Inc., ThoughtShare Communications Inc., and Virtual Learning Environments Inc. Activities documented include company establishment, business and strategic planning, promotion, and the Network's purchase and / or sale of company shares.

Records include proposals, correspondence, reports, agreements, contracts and memoranda of understanding, meeting minutes, business plans, certificates of incorporation (copies), company by-laws, project files, work plans, promotional material, media releases, financial statements, invoices, share agreements and certificates. Record media include paper and electronic; electronic records are retained in their original software formats (.doc, .rtf, .ppt, .xls, and .pdf).

Series consists of documents related to the organization, funding, promotion, administration and hosting of the annual Aboriginal Film and Video festival in Vancouver, from 1998-2007. The series is divided into the follow sub-series: Festival administration; Grant applications and related correspondence; Publicity and promotional materials; Festival submissions, Panels, and Awards.

Series consists of a set of six sound recording originally on audio cassette. Four of the recordings are interviews with former Executive Directors and the present Executive Director on the occasion of the thirtieth anniversary of childcare at SFU. The remaining sound recordings are copies of radio interviews by broadcaster Rafe Mair with Sheila Davidson and Social Services Minister Lois Boone about the social services strike in 1999.

This series consists primarily of business records, particularly fundraising activities, and promotional materials associated with the conception, development and execution of the Fire Project, which consisted of workshops and touring performances.

The series is comprised of the following sub-series: Sub-series 1: Administrative records (1998-2009); Sub-series 2: Financial records (2001-2004); Sub-series 3: Grants/fundraising records (1998-2004); Sub-series 4: Production/performance records (1999-2003): Sub-series 5: Promotional records (1998-2003).

Series is comprised of plans, correspondence, notes and reports gathered or produced during Duthie Books Ltd.'s strategic planning process in 1999.

The series consists of an unpublished manuscript created by Gene Waddell for the Canadian Centre for Architecture. The manuscript exists in two different formats – as a photocopied, physical copy and as digitized files. The physical copy is an unabridged version that can be accessed in the reading room, and the digitized files are text-searchable, PDF files that are accessible here in SFU AtoM.

This series is comprised of records related to the conception and publication of the book “I Stand for Canada: the Story of the Maple Leaf Flag”, published in 2002.
The series is divided into the following 7 sub-series: Drafts, proofs and edits (2001-2003), Agreements and contracts (1998-2002), Project development and correspondence (2000-2002), Post-production, promotions, and reviews (2002-2009), Image copyright requests and agreements (2002), Images collected for use in "I Stand for Canada" (2002), and Research conducted for "I Stand for Canada" (2002).

Series consists of records relating to the production of the National Geographic television show "The Sea Hunters," which James Delgado co-hosted with Clive Cussler from 2001 to 2006. Series contains correspondence and administrative records relating to the show, research records, photographs, and video recordings of episodes.
The series has been arranged into the following four sub-series: Episode files (1999-2006), Photographs (2000-2005), Slides (2001-2004), and Video recordings (1999-2005).

Series consists of records created by Adbusters Media Foundation during the following campaigns: Buy Nothing Day, First Things First Project, Media Carta, Kick It Over, Occupy Wall Street, Mindbombs, Boycott Divest Sanctions, Occupy Silicon Valley, Black Remembrance Day, and the White House Seige. Records include paper and born-digital materials such as digital graphics, photographs, design submissions, memes, press releases, emails, and moving image and audio "subvertisements."

The series has been arranged by the archivist into separate sub-series according to which advocacy campaign they derive from:

• Buy Nothing Day campaign records (sub-series 1).
• First Things First project records (sub-series 2).
• Kick It Over campaign records (sub-series 3).
• Occupy Wall Street campaign records (sub-series 4).
• Occupy Silicon Valley campaign records (sub-series 5).
• General campaign records (sub-series 6).

Files are arranged chronologically.

Series consists of correspondence relating to the development of Peter Trower’s website, and some print outs of website pages.

Series consists of notebooks containing drafts and notes, unbound drafts, and copies edited by Algonquin Books of Chapel Hill and Alfred A. Knopf for the novel The Hero’s Walk. It also includes articles, interviews and reviews from Canadian and international newspapers.

Series consists of photographs, negatives and contact sheets of IMAG events, including the annual film and video festival opening ceremonies, honouring ceremonies, panels, youth programs, and other events, the traveling film and video festivals, IMAG workshops such as the Randy Redroad workshop, and training programs, such as the Healing Hands training program.

Series consists of records relating to dramatic works Daphne Marlatt has written or contributed to. Records include drafts, correspondence, administrative documents, production material, advertisements and research records.

The series has been arrange into the following three sub-series based on dramatic work: "The Portside" records (2007-2011), "The Gull" records (2000-2009), and "Shadow Catch" records (2010-2011).

Series consists of email messages sent or received by Fellman from his SFU email account (fellman_AT_sfu.ca). Activities documented include personal correspondence with family and friends; exchanges with other scholars relating to research interests; correspondence with his literary agent, publishers, and media outlets; academic and professional work, including conference attendance, teaching, supervision of graduate students, and SFU administrative duties; and Fellman's work as a board member of Jewish Family Services Vancouver and the College of Psychologists of British Columbia. Activities, topics, and correspondents overlap considerably with records (paper, analog, and digital) contained in all other series in the fonds.

The vast bulk of the emails date from 2000-2008. That Fellman's account was still active after 2008 is indicated by a small number of 2012 sent emails, print copies of post-2008 emails included in the paper files, and the fact that a large number of emails were received by the account after his death (mostly deleted by the archivist, see the General note on appraisal below). In 2008-2009 SFU moved to the Zimbra Collaboration Suite email platform. Most of Fellman's surviving email predates this switch, as indicated by the mailbox folder names ("Eudora/" and "SFUWebmail-old/"). All this suggests that virtually all Fellman's email from his Zimbra account was deleted at some point in 2012 and that what survives in the email archive are mainly messages carried forward from the old systems.

The Archives has retained the email as a single series, with no arrangement into sub-series. At the time the account was backed up and put offline (2013), the email was organized into three main groups of folders: the Inbox and Outbox of the current Zimbra account; a group of folders originating with the Eudora email platform; and a third group labelled "SFUWebmail-old." This mailbox structure is preserved in the email archive as processed by the archivist, and the messages can all be viewed in the context of their original folders at time of transfer.

The archivist used ePADD software to process the email and applied only minimal post-transfer curation: basic descriptive information was provided at the ePADD collection and accession levels (see the note on Finding aids below); appraisal and selection was applied (see the General note on appraisal below); and the list of correspondents was normalized where possible so that an individual's various email aliases are grouped under a single entry in the form LastName, FirstName. But no tags, annotations or restrictions were applied at the individual message level.

Note that there is some overlap with series 7, Desktop correspondence and working files. Some of the electronic documents retained by Fellman on his computer (series 7) appear to be copies of messages exported / migrated from the email system to Word or text documents.

Series consists of a list of books that were donated as part of the IMAG fonds. These books have been catalogued and are stored according to their call numbers.

Series consists of diaries written by Betty Krawczyk while she was incarcerated at Burnaby Correctional Centre for Women. Series includes three files containing two bound dairies and handwritten notes on loose-leaf paper.

Series consists of records documenting the establishment and development of SFU's Undergraduate Semester in Dialogue (USD) program by Mark Winston in his capacity as director of the program. It also includes records relating to the development of SFU's Centre for Dialogue and its programs by Winston in his capacity as the Centre's academic director and as a fellow. Records include correspondence, agendas, minutes, reports, proposals, photographs, and other materials.

The series is arranged into 2 sub-series in order to keep separate the records of the USD program, which entail administrative records created and received by Winston in the course of his activities in founding, developing, and sustaining this academic program for the university. These materials are unique and considered university records. However, because Winston created and received these university records as he created and received his personal papers, the archivist opted to keep them in Winston's fonds rather than remove them to a university fonds.

Series is arranged into 2 sub-series:

1. Undergraduate Semester in Dialogue program
2. Centre for Dialogue

Records obtained in an accrual donated by Eden Robinson in 2018. This series consists of a draft of the novel "Monkey Beach".

This series consists of textual records generated by Dona Sturmanis during the period she was collaborating with Toby Brooks, the subject being the life and early death of poet Pat Lowther. Included in this series is correspondence, notes, and draft chapters.

Series consists of records relating to obtaining funding for the traveling film and video festivals, including grant proposals, budgets and correspondence. Series also contains information related to the organization and administration of the traveling film festivals.

Series consists of records relating to Braid's writing Emily Carr: Rebel Artist, a book for young readers on the famous Canadian artist. Records include drafts, correspondence, and research.

Series consists of various broadsides and posters designed by Bringhurst. Materials include broadsides printed with page proofs for the book "The Surface of Meaning: Books and Book Design in Canada," advertisements for lectures and readings, type specimens, and poems and other publications by both Bringhurst and others.

This series consists primarily of business records, particularly fundraising activities, and promotional materials associated with the conception, development and execution of the Earth Symposium (2004) and Festival (2005).

The series is comprised of the following sub-series: Sub-series 1: Administrative records (2001-2009); Sub-series 2: Financial records ([ca. 2002]-2006); Sub-series 3: Grants/fundraising records (2002-2009); Sub-series 4: Production/performance records (2002-2009): Sub-series 5: Promotional records (2001-2009).

The series consists of paper and born-digital records documenting Adbusters Media Foundation's activities and the Occupy movement in various media publications. Records include interview transcriptions, newspaper clippings, magazine clippings, online news article printouts, letters to the editor, 2 published books, and 1 photocopied book excerpt.

Interview transcriptions were conducted for Kyoto Journal (2001), Eyeteeth (2003), Staya (2005), Guernica (2011), the White Review (2013), and Micah White (2013).

Print and online media publishers include Sun Magazine (2001), CBC (2004), Lürzer's Archive (2008), the Georgia Straight (2009), the Globe and Mail (2009, 2013), the Hook (2009), the Lawyer's Weekly (2009), the Vancouver Sun (2011, 2012), Advertising Age (2011), the New York Times (2011, 2012, 2015), the Vancouver Observer (2011), the Washington Post (2011), the New York Review (2011-2013), the Occupied Times of London (2011), the Epoch Times (2011), Der Spiegel (2011), Vanity Fair (2012), Harper's Magazine (2012), the Progressive (2012, 2015), Vancouver Magazine (2012), In These Times (2012), the Dance Current (2012), the Guardian (2012), the Walrus (2012), the Ubyssey (2013), the London Review of Books (2013), Sad Mag ( 2015), and the Ethical Consumer (2020).

Books include Alternative Media in Canada by Kirsten Kozolanka, Patricia Mazepa, and David Skinner (2012), Why We Occupy: Liberty Plaza 2011 by Olivia Schanzer (2012), and a photocopied excerpt of Why Dissent Matters, Chapter 7, by William Kaplan (2017).

Born-digital media coverage records include a scanned newspaper clipping advertising Blackspot sneakers (2004), a draft article written by Kalle Last and Micah White (2011), an interview with Greg McLaughlin for Contexts Magazine (2012), and two draft letters to the editor of the New York Times (2013, 2016).

Series consists of records relating to Braid's work on co-editing, along with Sandy Shreve, a publication on Canadian form poetry. Records include notes and contributions by form type, correspondence with writers, including PK Page, and drafts.

Series consists of digital photographs maintained by Fellman on two working computers, an iMac and a MacBook Pro. See the note on Arrangement in series 7 for more information about the organization of Fellman's computer files. The photos were managed in Mac's iPhoto applicable. Some images appear to have been uploaded directly from camera, but others are likely to have been received as considerably smaller derivatives of photos created by someone else. The original format for all still images was jpg. The series also includes three short home-movie videos (in files 3 and 8) stored as avi files.

The content of the photos document scenes from everyday life and includes pictures of family and grandchildren, gatherings of family and friends, vacation photos, and scenes from Fellman and Aloi's home on Pender Island, BC.

Series consists of records related to Blaser’s appointment to the Order of Canada and winning the Griffin Award for Excellence in Poetry. Items include correspondence, agendas and schedules, event programs, posters, photographs and negatives, and a video recording of the Order of Canada ceremony that Blaser participated in.

This series is comprised of records related to the revision of “I Stand for Canada” into an edition titled “A Flag for Canada: the Illustrated Biography of the Maple Leaf Flag”, published in 2008.
The series is divided into the following 5 sub-series: Drafts, proofs and edits (2007-2008), Agreements and contracts (2003-2012), Project development and correspondence (2002-2010), Post-production, promotions, and reviews (2006-2015), and Image copyright requests and agreements (2002-2008).

Series consists of articles written, by the JHSLM and others, on various aspects of the justice system in Canada.