Fonds consists of records relating to Braid's life and work as a student, teacher, carpenter, and writer.

The first five series from Braid's first donation in 1995 are comprised primarily of interview material relating to Canadian women in trades, in the form of sound recordings, transcripts, notes, and drafts of profiles generated by Kate Braid in the course of four projects: her Master's thesis (1978-1979); a convention in Holland and subsequent trip to Denmark (1984); the Labour Canada booklets (1988); and the CBC Ideas program (1990). Also includes some correspondence, logbooks and published reference material.

The next series from several additional accruals in 2009 to 2013 consist of records arising from many aspects of Braid's life. These records include drafts and notes from Braid's writing, projects for CBC Ideas, women in trades, her company, Sisters Construction, and other writing and teaching projects.

There is also a large series of correspondence, including letters and emails (printed out) between Braid and other writers, her family, and business correspondents. Finally, there is a series of Braid's diaries, which she has kept regularly from the 1960s to 2012.

The fonds is arranged in 24 series:

1. Master's thesis interviews
2. Europe interviews
3. Labour Canada interviews
4. CBC interviews
5. Women in trade
6. In Fine Form: the Canadian Book of Form Poetry
7. Red Bait: Struggles of a Mine Local
8. A Well-mannered Storm: the Glenn Gould Poems
9. Emily Carr: Rebel Artist
10. Inward to the Bones: Georgia Okeeffe's Journey with Emily Carr
11. Vancouver Island Highway Project Road to Equity
12. CBC Ideas: Men of the Deep
13. Appointment calendars
14. Correspondence
15. Personal and early accomplishments
16. Writing and teaching projects
17. Turning Left to the Ladies
18. Journeywoman
19. Diaries
20. First drafts and handwritten notes
21. Sisters construction
22. Publications
23. Covering Rough Ground
24. To this Cedar Fountain

Fonds consists of records made or received by Mitch Taylor in the course of his professional activities and business ventures from 1972 to 1992. The records relate primarily to Taylor's co-founding, development and operation of Granville Island Brewing Company Limited in Vancouver, BC from 1981 to April 1989; his time at the brewery in the role of VP Sales and Marketing for Potters Distilling from April 1989 to 1992; and his co-founding of Creekhouse Industries on Granville Island in 1972.

Fonds consists of textual records, graphic materials, photographic materials and artefacts, and is arranged into four series:

• Talks and speeches
• Correspondence
• Press and publicity
• Granville Island Brewing Company Limited records

Fonds consists of correspondence, written works and published materials by Wah and other writers, photographs, and other records accumulated by Wah during his lifetime, arising from both personal and professional activities. Records include poems, essays and reviews; journals and notebooks; book manuscripts; teaching materials; travel records; administrative records; and promotional material for conferences, workshops and other events.

The records in this fonds have been arranged into the following eight series: Correspondence (1960-2013); Writings and related records (1961-2012); Research records, works of others, and works about Wah ([196-]-2012); Academic work and instruction records (1927, [196-]-2005); Events and travel records (1965- 2013); Professional service and activities records ([ca. 1961]-2013); Residency records (1981-2007); and Personal records ([196-?]-[199-?]).

The fonds consists of records relating to the development and administration of non-academic services for students, staff and faculty at Simon Fraser University. Activities, topics and events documented include the Dean's/Director's correspondence with student services departments, Student Society, the university community, and provincial and national organizations; participation on university committees; development of projects, programs, and workshops; and publications.

The types of documents include meeting agendas, minutes, and supporting papers; correspondence and reports; annual reports; statistical studies; budgets and financial working papers; contracts; program evaluations; and publications including student handbooks, non-credit course calendars, brochures, newsletters, course outlines, and newspaper clippings. Photographs and architectural plans are also included in the fonds.

Fonds consists of predominantly of media works (photographs, moving images, sound recordings, graphic materials) created by LIDC and its predecessors. Records were created in the course of the department's work to provide media and technical support for university teaching and research; support instruction in the development of innovative teaching methods; produce publications to communicate and promote SFU and its programs; and create an audio-visual record of campus events and activities. Records include photographs in various formats (negatives, contact sheets, prints, slides), graphic design materials (drawings and cartoons), sound recordings and moving images; textual records comprise print publications created for client departments.

The fonds has been arranged into five series based on media type and subject:

• Photographic material (series 1).
• Moving images (series 2).
• Convocation recordings (series 3 - audio and video).
• Graphic and design works (series 4).
• Reports and publications (series 5).

Fonds consists of records created and received by Bud Osborn during his life and work as an activist, poet and community organizer in Vancouver's Downtown Eastside. Records include legal documents, reports, manuscripts, photographs, correspondence, royalty statements, sound recordings and research.

Fonds consists of records created or accumulated by Daphne Marlatt through her personal and professional activities, predominantly after the year 1990. Records document her activities as a writer of poetry and prose, an editor, and as a teacher of writing and literature, and include manuscripts, notes, research records, correspondence, photographs, grant applications, reviews, and audio and video recordings of poetry readings.

The fonds has been arranged into the following eleven series: Background research records ([ca. 1965-2000]), Fiction - poetry records (1958-2014), Fiction - drama records (2000-2011), Non-fiction works records (1975-2008), Awards and grants records ([ca. 1965-2012]), Correspondence with publishers ([ca. 1977-2013]), Professional activities records (1983-2013), Teaching records (1973-2010), Electronic records and other media (1974-2012), Personal records (1966-2014), and Personal and professional correspondence (1961-2014).

Fonds consists of research sources, drafts, correspondence, interviews, journals, magazines, teaching files, essay files, grant applications, and tax information. Records document Zolf's work as a poet, critic, editor, essayist, filmmaker and professor at the New School and University of Calgary. People with whom Zolf regularly corresponds include poets Charles Bernstein, Anne Waldman, Michael Davidson, Rodrigo Toscano, Erin Moure, Joan Retallack; theorist Judith Butler; artists Josiah McElheny, Zoe Leonard and Moyra Davey, and publisher Alana Wilcox.

Fonds consists of chapbooks, page proofs, editorial and production notes on 43 titles published by Nomados from 2002-2014. Includes correspondence, publicity and distribution records. Alphabetical and chronological lists of publications included in Box 1. These titles are also listed on the publisher website: http://www.nomados.org/nomados.htm

The fonds consists of records created and received by Mark Winston as a young scholar; biology professor at Simon Fraser University; professor and fellow with SFU's Undergraduate Semester in Dialogue (USD) program and Centre for Dialogue; instructor in related dialogue, facilitation, and leadership courses and programs; author; and consultant in the field of apiculture, as well as dialogue and facilitation. The fonds also consists of records relating to the development of the Centre for Dialogue and its programs by Winston in his capacity as the Centre's academic director. It also includes official university records documenting the establishment, development, and operation of the USD program by Winston as director of the program.

Activities, topics and events documented include correspondence with family, friends and colleagues; education and career records; research awards; SFU teaching notes, course outlines, and exams; Bee Masters course notes and planning records; graduate student supervision files; research notes, book drafts, manuscript submissions and published copies; financial working papers and grant applications; consulting correspondence; organization of the Apimondia '99 conference held in Vancouver; participation in local and international professional apiculture and other organizations; and the establishment and administration of the USD and Centre for Dialogue programs.

The types of documents include correspondence, transcripts, contracts, reports, research notes, agendas and minutes, certificates, budget reports, books, newspapers and journals, photographs, teaching slides, interview tapes, and audio visual materials.

Fonds is arranged into 9 series:

1. Family, education and career records
2. Correspondence
3. Teaching records
4. Research records
5. Grant and funding records
6. Consulting records
7. Apimondia '99 Conference
8. Professional organizations
9. Undergraduate Semester in Dialogue and Centre for Dialogue records

Fonds consists of records created, received or accumulated by Pierre Coupey through his personal and professional activities in the course of his career as a multidisciplinary contemporary artist, poet, co-editor, founding editor and English instructor. It includes hand-written and word-processed correspondence between Coupey and editors, publishers and other fellow writers, artists and poet-friends; unpublished poems and writings by Coupey and other writers, manuscripts and drafts of books and poems of Coupey’s poetic works and of other writers; reviews, newspaper clippings and photocopies of reviews of Coupey’s work as a poet and artist; original artwork by Coupey; photographs of Coupey and other writers; exhibition planning records; miscellaneous hand written notes by Coupey on his exhibitions and poetry works; hand written postcards and notes from fellow artists and poets; teaching materials as an English instructor; day-timers, which includes addresses and phone numbers of fellow artists and poets; promotional materials for exhibitions and reading engagements; Canada Council grant information; and miscellaneous ephemera such as exhibition postcards and posters.

This fonds is divided into 7 series: 1: Publication - "The Capilano Review" (TCR) (1959-2013); 2: Independent press (1967-1997); 3: Poetry and creative writing ([ca. 1957-2015]); 4: Capilano College (University) (1969-2014); 5: Exhibition records (1964-2015); 6: Artwork (1960-2013); 7: Administrative records (1960-2014).

Fonds consists of records created and accumulated by the Kiss and Tell collective over the course of the collective’s operations. Records include photographs, correspondence, exhibition specifications and guidelines, and promotional and press materials.

This fonds contains textual and photographic materials relating to the development, publishing and sales of 6 titles commissioned and produced by SA&D, as well as records relating to the general operations of the business. Each series consists of materials related to one book, with assigned sub-series falling into standardized operational categories such as drafts, project development, post-production and research. The contents of each series are comprised of a wide range of primarily textual material such as correspondence, pamphlets, draft layouts, invoices, writing drafts and notes, photocopies, newspaper and magazine articles, and photographic material.
The series contained in this fonds are as follows: Series 1: “I Stand for Canada” – Rick Archbold (1998-2009); Series 2: “A Flag for Canada” – Rick Archbold (2002-2015); Series 3: "A Road for Canada" - Daniel Francis (2003-2011); Series 4: "Selling Canada" - Daniel Francis (2003-2013); Series 5: "Waterfront" - James Delgado (2004-2010); Series 6: "The Wild Ride" - Charles Wilkins (2008-2012); and Series 7: SA&D Publishing general operations (2002-2012).

Fonds consists of records arising from the activities of the SFU Development Office and its predecessors, records of the SFU Alumni Association, and records from the Three Universities Capital Fund. Fonds includes correspondence, memoranda, reports, promotional materials, address lists, lists of donations, newsletters, photographs, and other materials.

Edward McWhinney was an international authority on constitutional and aviation law, a prolific author, member of multiple academic and professional organizations, a Member of the Canadian Parliament and a lecturer at universities around the world. In his later years he actively supported numerous institutions, including the charitable foundation he established with his wife, Emily McWhinney. He routinely travelled, and this collection reflects the diverse range of his careers and interests.

Consisting primarily of records created in the course of his extensive professional and political careers, this collection contains correspondence, newspaper and magazine articles, handwritten notes and cards, photographs, published materials, books, photocopies, and ephemera. The fonds has been split into 4 series: Politics and law (1943-2015); Publications and reviews (1956-2015); Associations, conferences and academia (1940-2015); Personal (1914-2015).

The fonds consists of materials related to Culley's writing, curatorial and editorial work, and includes notebooks, manuscripts, reference materials, proofs, correspondence, ephemera, photographs, and negatives. The fonds also includes a diary, manuscripts by others, magazines, and Vancouver International Film Festival programs.
The fonds has been arranged by the archivist into 9 series:
Writing (Series 1)
Works by others (Series 2)
Correspondence (Series 3)
Personal (Series 4)
Editorial and curatorial (Series 5)
Reference material (Series 6)
Ephemera (Series 7)
Photographs (Series 8)
Biographical information (Series 9)

Fonds consists of records created or received by the Peak Publications Society primarily in the course of publishing The Peak, the student newspaper of Simon Fraser University. Activities and topics documented include the establishment and organization of the Peak Publications Society; developing sources of funding; the production of the newspaper, including the taking of photographs required to illustrate stories published; the hiring and duties of Peak staff members; and other publishing ventures of the Peak Publications Society. Includes a complete run of The Peak newspaper from 1965 and other published material such as the Terminal City Express, The Dic (student course guide), and The Peak Handbook. Also includes certification of incorporation, constitution, agendas, minutes, financial records, correspondence, and other documents, as well as contact sheets, prints, negatives, and microfilm reels.

This fonds contains textual and photographic materials relating to the life experiences of Ajaib (Jab) Sidhoo. The contents of the fonds have been divided chronologically into five distinct series representing significant periods in Jab’s life. Each series is then divided into two sub-series: Photographs and Textual records. The contents of these series are primarily photographs, but correspondence, newspapers, magazines, personal memorabilia and ephemera are also included.
The series contained in this fonds are as follows: Series 1: Records relating to childhood/high school (1923-1942?); Series 2: Records relating to World War II service (1939-1945); Series 3: Post-War Vancouver records(1945-2009); Series 4: East India Carpets business records (1948-2016) and; Series 5: B.C. Lions and Canadian Football League material (1953-1998)

This fonds contains primarily correspondence, photographs, videotapes, and newspaper clippings as well as research and drafts from a multitude of writing projects LaPierre worked on throughout his life. There is material relevant to many of the key aspects of LaPierre's personal and professional life, including his career as a television broadcaster and producer, his academic and publishing accomplishments, his service in the Canadian Senate, his work with charities and his home life and hobbies.

The series contained in this fonds are as follows: Series 1: General correspondence and personal records (1957-2013); Series 2: Records related to television and producing career (1971-2013); Series 3: Records related to writing career (1908-2012); Series 4: Records related to term in Senate (1966-2013); Series 5: Records related to work with charities and organizations (1989-2012); Series 6: Records related to public speaking engagements (1992-2003); Series 7: Photographs (1948-2009) and; Series 8: Moving images and audiovisual material ([ca. 1985-2013]).

Portions of this fonds are relevant to other SFU collections – Daryl Duke (MsC 120), Alan Fotheringham (MsC 157), Norman Klenman (MsC 101), and possibly Edward McWhinney (MsC 191).

Fonds consists of records relating to the activities of the Purcell String Quartet, and the careers of its individual members. Records include concert programs, publicity brochures, posters, and press reviews; contracts, correspondence, tour schedules, and itineraries; and photographs, scrapbooks, and sound recordings and moving images.

The fonds is a hybrid of paper, analog, and born-digital media.

The fonds has been arranged by the archivist into nine series:

• Administrative records (series 1)
• Promotional material (series 2)
• Photographic material (series 3)
• Press reviews (series 4)
• Correspondence (series 5)
• Programs (series 6)
• Member records (series 7)
• Sounds recordings (series 8)
• Moving images (series 9)

Ruth Emerson Wortis was a pioneer of modern dance, as well as a prolific choreographer, performer and dance educator. She was one of the founding members of the Judson Dance Group, which itself is credited for the rise of the Postmodern dance movement. This fonds follows the development of Ruth’s career through an extensive collection of performance programs, photographs, music scores, publications and reviews, choreographic materials such as dance and movement scores, and both personal and professional notes. Also seen is the effect of Ruth’s academic and teaching career on her dancing style as, over the years, she shifts slightly from the avant-garde for performance sake towards breaking down gender stereotypes in dance education by encouraging dance for movement’s sake to children and community groups.
This fonds contains seven identifiable distinct series. Series 1: Dance, movement and music scores (1957-2002); Series 2: Photographs (1957-1991); Series 3: Flyers and programs (1959-2002); Series 4: Published reviews and articles (1959-2001); Series 5: Writings and correspondence (1978-2001); Series 6: Ruth Emerson Wortis biographical information (2015-2017); and Series 7: Ruth Emerson Wortis performances and interviews (1989-1998).

The fonds consists of records primarily reflecting Robinson’s career as a writer, spanning approximately from 1991 to 2018. These include drafts of several of her novels including "Monkey Beach", "Traplines", "Blood Sports", "Son of a Trickster" and "Trickster Drift", correspondence with editors and other miscellaneous records. The fonds is arranged into seven series: Correspondence (1993-2005); Awards, events and reviews (1991-2007); Records relating to "Traplines" ([1997]); Records relating to "Blood Sports" (2004-2005); Records relating to "Monkey Beach" ([ca. 2000?]); Records relating to "Son of a Trickster" (2016-2017); and Records relating to "Trickster Drift" (2014-2018).

This fonds contains textual and photographic materials related to the life and literary work of Colin Stuart - a poet most active in the Vancouver literary scene in the 1960's and '70's. Personal setbacks limited the publishing of his poems, so the bulk of this fonds consists of multiple loose copies and drafts of an extensive body of work that spans almost 4 decades.

The contents of this archive have been divided into six series: Series 1: Manuscripts, drafts, and notes ([ca. 1964]-[before May 2018]).; Series 2: Correspondence (1964-2005); Series 3: Notebooks (1967-2018); Series 4: Photographs ([after 1973]-[2000?]); Series 5: Education and administrative ([195-]-1995); Series 6: Works by Duncan McNaughton and others ([ca. 1974]-2019). Series 1 has been divided into the following sub-series: Sub-series 1: Manuscripts and complete poems (1967-[200-]); Sub-series 2: Partial manuscripts, drafts, and notes ([ca. 1964]-[before May 2018]).

Fonds consists of personal, administrative and production records for Judith Marcuse and her production company Judith Marcuse Projects (also known as Repertory Dance Company, Judith Marcuse Dance Company, DanceArts, Judith Marcuse Dance Projects Society). Spanning from 1956-2019, the fonds documents Marcuse’s life as a dancer and work choreographing, directing and producing dance and multi-disciplinary performing arts projects and festivals. The fonds predominately contains business records (particularly requests for grants and donations), promotional materials, media clippings, photographs, correspondence, sound recordings, and moving images.

This fonds consists of four main series (some containing sub-series) - Series 1: Personal records (1956-2018); Sub-series 1: Records created by others (1977-2009); Series 2: Commissions or consultations (1966-[2015?]); Series 3: Events, organizations and councils (2002-2018); and Series 4: SFU and International Centre of Art for Social Change (1996-2019) which contains 4 sub-series – Sub-series 1: Administrative records (1996-2019); Sub-series 2: Financial records (2007-2010); Sub-series 3: Grants/fundraising records (2008-2012) and Sub-series 4: Promotional records: ([2006?]-2009). The fonds also contains one sous-fonds (some containing sub-series).

Fonds consists of moving images, sound recordings, and textual records relating to Arthur Erickson, his achievements, his travels, and his friends and family. Moving images include documentaries; exhibitions; TV programs; Architectural Institute of America meetings; artistic films; and home movies documenting Erickson's travels and family life. Note that a number of the films are duplicates stored on different mediums (e.g. Betacam, U-matic, and VHS). Sound recordings include radio interviews, lecture series, news documentaries, movie soundtracks, and a soundtrack for the Architectural Institute of America awards ceremony. Textual records include two books and two pamphlets.

The fonds has been arranged by the archivist into seven series:

• Travel films (series 1)
• Audiovisual materials related to Arthur Erickson (series 2)
• Published materials related to Arthur Erickson (series 3)
• Memorial pamphlets (series 4)
• Erickson family films (series 5)
• Artistic films (series 6)
• Sound recordings related to Arthur Erickson (series 7)

Collection comprises photographs, manuscripts, correspondence, ephemera, books and periodical material resulting from and pertaining to the settlement and subsequent history of Doukhobors in Western Canada. Books and periodical items have been catalogued in the SFU Library Catalogue. Digitized images and accompanying descriptions of a portion of the collection are available on the Doukhobor Collection, 1898-1930 website.

Fonds consists of records made or received by University Communications and Marketing and its predecessors.

Activities and topics documented include the establishment, organization and operation of the unit; photography of SFU people, places and events for campus publications; provision of information to the public; organization of special events; liaison with other units in the University; and the production of press releases, brochures, and on-going publications.

Records types include correspondence, minutes, reports, proposals, and working papers; photographs, including negatives and contact sheets; university press releases and publications; and articles and other reference materials relating to SFU.

The fonds is arranged into seven series:

• F-61-1 - Photographic materials (1971-1998)
• F-61-2 - Correspondence (1965-1989)
• F-61-3 - Public files (1965-1974)
• F-61-4 - Publications (1965-2011)
• F-61-5 - Press releases (1964-2003)
• F-61-6 - Administrative records (1971-1996)
• F-61-7 - Ceremonies, events and activities records (1972-1990)