The fonds consists of manuscript pages and editorial notes relating to Peter Quartermain's edited Robert Duncan collection. Research is organized chronologically by poem or play. Additional information available on author’s website: http://www.nomados.org/PeterQ.htm

The fonds reflects the role of the BC Provincial Police Veterans’ Association in maintaining the relationships and memories of the men who served on the police force. Records include written reminiscences, newspaper clippings, and photographs of the men in service, as well as documentation and photographs of the activities of the Veterans’ Association and the lives of members. The fonds has been arranged in three series: 1: Administrative records and photographs ([ca. 1900]-2012); 2: British Columbia Provincial Police photographs and other records ([ca. 1939]-2008); and 3: Records relating to individual British Columbia Provincial Police officers (1935-2009).

This fonds illustrates Sharon Thesen’s work as a poet, writer, and teacher, and also contains records pertaining to her personal life in terms of finances and relationships. It has been broken down into six series: Correspondence, Writing, Writing by Others, Teaching & Events, Personal Records, and Publications. The arrangement is as follows:

Series 1: Correspondence

Series 2: Writing
Sub-series: Drafts, Edits & Typescripts
Sub-series: Reviews and Interviews
Sub-series: Awards: Judging and Nominations

Series 3: Writing by Others
Sub-series: Typescripts
Sub-series: Reviews, Interviews & Articles

Series 4: Teaching & Events

Series 5: Personal Records
Sub-series: Financial Records
Sub-series: Ephemera
Sub-series: Personal Photos
Sub-series: Life Events

Series 6: Publications

Fonds consists of correspondence, written works by Thesen and other writers, photographs, and other records accumulated by Thesen between [197-?] and 2000. Records include correspondence, poems, reviews, and other written works, notes, a notebook, magazine & newspaper clippings, photographs, a small branch, a color print on paper, cassette tapes, personal and financial records, teaching materials, computer disks, screen printed paper prints, and event promotional materials & invitations.

Fonds consists of records relating to the administration and organization of the Moving Pictures film festival. Records include board of directors manuals, financial records, correspondence, and minutes.

Fonds consists of photographs, diaries and journals documenting Koerner's artworks and travels to Japan, and one drawing.

Fonds consists of files related to the publication of Dandelion Magazine, including invoices, cheque requisitions, bank statements, board bylaws, corporate registration information, subscriptions, advertising campaigns, minutes, promotional materials, grants, and correspondence. Fonds also consists of copies of Dandelion and Blue Buffalo magazines, and chapbooks published by the Dandelion Magazine Society.

The fonds consists of textual records and other media created by Harry and Valerie Jerome, which reflect the various facets of Harry Jerome’s life, including academics, athletics, and community/national sports initiatives. While most of the records reflect Harry’s life, the fonds also includes records that pertain to Valerie Jerome’s life, namely her athletic and political career. In addition, a biographical manuscript, which is Valerie Jerome’s written iteration of the story of the Jerome family and Harry’s life, is included in the fonds. The fonds also includes records that were created by the Harry Jerome Commemorative Society and the Black Business and Professional Association’s Harry Jerome Awards. Additionally, the newspaper clipping series includes a file featuring Valerie Jerome’s son and Harry Jerome’s nephew, Stuart Parker, and his political endeavors with the British Columbia Green Party. In order to respect the multiple creators and the overall nature of the records, the fonds has been arranged into the following six series: Harry Jerome records; the Valerie Jerome records; Harry Jerome Award programs; the Harry Jerome Commemorative Society records; newspaper clippings; and photographs.

Fonds consists of correspondence, manuscripts, original art, music, ephemera, books, zines, layouts, grant applications and reports, financial records, academic and teaching papers, T-shirts, notebooks and Wershler-Henry's MA and PhD theses. Records are in digital and analogue formats.

Fonds consists of records generated from Al Neil's work as a musician, artist and writer, as well as his personal and family records. These include family photographs, records from Neil's military service, correspondence, documentation of performances, art exhibitions and collages, clippings of interviews and reviews, original manuscripts and drafts, published writings, grant applications, posters, and material related to his and Carole Itter's cabin at Dollarton, North Vancouver, BC.

Fonds has been arranged into the following eight series: Correspondence (1959–2010); Writings (1968–1996); Professional records (1936-2009); Reviews and clippings (1958–2009); Personal records (1940–1994); Photographs ([185-]–[200-]); Videos (1978–2005), and Sound recordings (1976–1987).

Records consist of videotaped poetry performances and textual records relating to the annual Visible Verse videopoem festival held at Pacific Cinematheque in Vancouver, B.C.

Fonds consists of records relating to the activities and management of the publishing company, including correspondence, financial documents, administrative files, rejection letters, educational materials, edited manuscripts, page proofs, printer proofs, production graphics, design mockups, teacher accompaniments, newspaper clippings, catalogues and sales reports. Fonds also contains Scott McIntyre's records from his work with the Canadian Pacific Publishing Society, and books published by Douglas & McIntyre, including the imprints Greystone Books, Groundwood Books, and Western Producer Prairie Books.

Fonds consists of records documenting the establishment of the filling Station Publications Society in Calgary, Alberta, in 1993, and its ongoing business editing and publishing "filling Station" magazine, individual chapbooks and hosting literary events. Fonds is arranged into the following six series: Administrative records (1993–2008); Financial records (1993–2008); Marketing files (1993–2002); Editorial files (1995–2004); Event files (1993–2001); and Chapbooks (1993–2006).

The fonds consists of materials generated by the operations of the Indigenous Media Arts Group (IMAG), including administrative and financial records, publications, correspondence, meeting minutes, staff and business contact lists, volunteer coordination records, IMAG’s internal forms, resumes, staff and student information. The fonds includes records relating to funding, promoting and coordinating various Indigenous arts development programs, including grant applications, sponsorship agreement, activity reporting, teaching materials, correspondence, festival schedules and guides, publicity materials, press clippings and festival advertisement. In addition, there is a small collection of textbooks on film making. The fonds also contains records specific to the IMAGeNation film festival, including films submitted for the festival, and films created by IMAG staff and students. The fonds contains festival posters and photographs from festivals and other events.

Fonds consists of broadsides, chapbooks and business records generated by Mother Tongue's publishing activities.

Fonds consists of correspondence, written works and published materials by Blaser and other writers, photographs, and other records accumulated by Blaser during his lifetime. Records include poems, journals and notebooks, book manuscripts, essays, audio and video recordings of poetry readings, personal and financial records, teaching materials, genealogical records, collected publications and articles, and conference and promotional material. Fonds has been arranged into the following eighteen series: Correspondence of Robin Blaser ([between 1931 and 1937]-2009); Correspondence of others (1916-2009); Written works by Robin Blaser ([between 1941 and 1943]-2008); Poetry readings and other performances (1968-2009); Travel records (1959-2008); Articles and reviews regarding Robin Blaser ([194-]-2009); Teaching and academic related material (1946-2005); Business and financial records (1966-2008); Personal records and other biographical material (1925-2009); Honors and awards records (2001-2008); Photographs ([between 1880 and 1900]-2007); Family records and other genealogical material (1919-2007); Works by other authors ([195-]-2009); Ephemera ([195-]-2009); Research articles ([Photocopied 196-]-2007); Conference material ([196-]-2007); Promotional material ([195-]-2006); and Artistic material ([195-?]-2002).

Fonds consists of Gill's personal and professional correspondence, photographs, university notes and assignments, theses, drafts of poems and other writing, published works, and work records.

The fonds consists of records created or accumulated by Flood through her activities as a writer. Records include notes, drafts, correspondence with publishers, contracts, promotional materials, reviews, royalty statements, notebooks, handwritten manuscripts and copies of published journals in which Flood’s works are printed.

The fonds has been arranged into the following three series: Short stories (1961-2008); Novels (1974-2004); and Essays, talks and reviews (1972-2006).

The fonds reflects Bök’s participation in the Canadian poetry scene as well as his teaching work. Records include correspondence with numerous other writers, teaching associates, fans, gallery owners, and conference organizers, as well as manuscript drafts, reviews of Bök’s work, ephemera from festivals and exhibitions, other writers’ works, and gifts and souvenirs. The fonds also includes Bök’s work laptop and its contents, which include textual records, photographs, audio, and video files of exhibits, performances, and travel.

Fonds consists of the literary papers of author Keith Harrison. Records include research materials, correspondence, manuscripts, reviews, working notes, and contracts.

This fonds contains textual and photographic materials compiled by Jim Douglas, primarily relating to his various business and professional work in the field of book publishing. There is also printed material he compiled while researching legal topics relevant to publishing such as libel, copyright, contract and professional standards.

The series contained in this fonds are as follows: Series 1: Business records (1968-2006), Series 2: Records pertaining to legal topics (1982-1990), and Series 3: Project files (1970-1985).